the tower behind the tree

I’ve become slightly obsessed with the view from my bathroom window. It’s a glimpse of a tower block that sits behind a tree and is beyond the roofline of Norlington School for Boys that dominates the vista. The window itself is not a grand affair, it’s the small one at the top of the frame, but it’s head high and everytime I go into the bathroom my eyes become drawn to this horizon then lock onto the tower. It started off as merely an intriguing sight, but has since gained a greater hold over me. Now I feel that it is trying to communicate with me, calling out, transmitting a signal that so far I can’t unscramble. When I had to get up in the middle of the night to comfort one of the children it appeared there as a strip of light, the illuminated stairwell, suddenly I didn’t mind so much being woken at 3am.

I have so far resisted the temptation to visit it up close for fear of disappointment. I would like it to remain as a slightly unfixed, unreal location, a floating tower, a bit like the ships that I used to watch sail across the horizon at night from my bedroom in Collaroy, Sydney. There is every chance, that up close, I wouldn’t recognise it that it would continue to appear as a point in the distance.

It is only recently that I realised that this tower could be a manifestation of the one in John Smith’s classic film ‘The Black Tower’. That film had infiltrated my consciousness years before I moved out here, half a mile from Smith’s house and the location of the film. Maybe it drew me east from Islington. Called me over from the high ground of Penton Mound to a similarly elevated part of London. Maybe I should make a film as Smith did in order to understand my relationship with this mystical object. Although I think I’ll just keep gazing at it from the bathroom window for now.

an archaeology of the present

I’m doing a talk with Cathy on Wednesday 21st at Wycombe museum about the Remapping High Wycombe project. I’ve just been reviewing the powerpoint, seeing how we’ve presented our work to different audiences in the past, working out how we’ll pitch it this time. The interesting thing is that regardless of the audience when we talk about the derive, and “encountering the unknown facets of the known, astonishment on the terrain of boredom…” (Greil Marcus), it always gets a good reaction and people become intrigued about the process. It’ll be interesting to see how the midweek lunchtime audience at Wycombe museum react and what they’ll latch on to.

We’ll also show a map we made from comments posted on the Knowhere Guide, which are quite negative and focus on the violence and racial tension that some people pick up on in Wycombe, and see how people respond to that. Our Mytho-Historical Map is our response:

This talk will bring the project to a kind of conclusion, a year on from the Significant Sites event (almost to the day). We’ve to-ed and fro-ed on this but with the imminent publication of the written material (via Lulu) and hopefully a Dvd to go with it, we can draw a line under the work and move on to something new. Although, I think I’ll still find myself being drawn back by the psychogeographical articulations of the area.

london