The Earl’s Court Monkey

  
Annette and Desi with their stuffed monkey at the Earl’s Court Fringe Film Night organised by the Save Earl’s Court Campaign. 

No Home

No Job

Not Swell 

It says on the monkey’s chest.

After showing a clip from London Overground where Iain Sinclair and Chris Petit walk past a row of Victorian Railway workers’ cottages near Old Oak Common I mention to the audience that they are under threat. A lady raises her hand and tells us that they were demolished 3 days ago.

London Overground on London Live and Earls Court

So I ended up talking about my London Overground film with Iain Sinclair on London Live 1 0’clock news the other Sunday. The screening at Leytonstone Pop-Up Cinema the following Wednesday saw the biggest turn-out we’ve ever had at the film club in the 8 years we’ve been doing it. It was a nice homecoming for the film and there was an interesting Q&A afterwards.

 

John Rogers Leytonstone

Tonight I’ll be showing some clips from the film at the Earl’s Court Fringe Film Night with an extended cut of the footage shot in Brompton Cemetery with Andrew Kotting dressed as the Straw Bear and Iain Sinclair talking about some peculiar associations mostly notably Williams Boroughs sitting atop the tombstones making strange recordings of the dead.

earls-court-halloween_orig

The next screening of the full-length film will be at the Swedenborg Film Festival in Bloomsbury on Saturday 26th November alongside Andrew Kotting’s new film Edith Walks.

London Overground at the Genesis Cinema

Genesis Cinema

The other week London Overground screened to a great audience at the Genesis Cinema in Stepney Green, close to where Iain and I passed on one of the walks in the film.

Iain Sinclair London Overground film

I really enjoy doing the Q&A’s with Iain Sinclair at these events – we did a number while making the film, screening short extracts and talking about the process as it was emerging. It was a wide-ranging discussion covering Iain’s most recent project with Andrew Kotting, Edith which features briefly in London Overground. Iain also mentioned his 90’s collaborations with Chris Petit, how these overlapped into our Overground film and my willingness to just go out and film at a moment’s notice – what Iain described as a “cinema, literary, performance nexus as a kind of community”.

Iain Sinclair John Rogers London Overground

The issue of what is happening with the development of London of course was raised and I mentioned my work filming various campaigns around London. Iain talked of the “corruption of language” being used by developers and local authorities which he sees as a “defilement” triggering his desire to “go back to the language of poets who have taken on the city”.

The next screening of London Overground is 2nd November at Leytonstone Pop-Up Cinema

Remembering Occupy London on the 5th Anniversary

A small group of people gathered together on the steps of St. Paul’s Cathedral merging in with the crowds of tourists and sightseers. As I spoke to them on camera a bride passed by shadowed by her bridesmaids, the smartly dressed wedding crowd soon filled one half of the step behind. From a distance you would not have distinguished them from the general Saturday throng. They looked in many ways unremarkable, a reunion of sorts, of mostly middle-aged gentle-looking folk. But for them this wasn’t any Saturday – they were here to remember the day 5 years ago when they were part of the 3000 strong meeting of activists that started Occupy London (Occupy LSX). Some of them turned up that Saturday 15 October 2011 and didn’t leave until the camp was evicted in February 2012.

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Listening to their testimony it really hits home what a momentous day it was in the social history of London. A mass challenge to the power of the City of London by the citizenry who occupied one of it most important and symbolic sites. I attended on the second day and shot a short video – I had never seen anything like it, here was politics being done in a whole new way. There were no established groups, no leaders, listening to the discussions there was seemingly no ideology simply, as Tina puts, it that people had reached the point of ‘Enough’.

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As Jamie says in the interview above, many of the people who came to Occupy had never been involved in politics or activism before, many have been involved ever since. Tina now dedicates herself to activism full-time. Jamie is a regular fixture at actions around London.

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After the camp was broken up the London Stock Exchange itself admitted that the Occupiers had been right – the City and the banks had become too powerful and needed proper regulation. The rhetoric thrashed out at those first General Assemblies on October 2011 have become part of everyday vocabulary

“The current system is unsustainable. It is undemocratic and unjust. We need alternatives; this is where we work towards them.”

“We want regulators to be genuinely independent of the industries they regulate.”

“We demand an end to global tax injustice and our democracy representing corporations instead of the people.”

These are sentiments that could come from the mouths of almost any politician today (even if they didn’t believe it they understand this is what people want to hear).

The Occupiers who’d come together on Saturday were enjoying sharing their memories of the camp – the didgeridoo at 4am, the kindness of strangers who brought food and money, the homeless City workers who joined the camp then went to work in the very banks being discussed, sleeping on that cold pavement through snow and rain, Christmas and New Year. Something powerful happened on October 15th 2011 that I think will take some time yet to fully understand, but I think, I hope a corner was turned in the quest for a better, more just world.

Battle of Cable Street 80 Years On

Fantastic uplifting scenes yesterday at the march and rally to mark the 80th anniversary of the Battle of Cable Street when the people of the East End poured onto the streets to stop Oswald Mosley’s fascist Blackshirts marching through the Jewish East End on 4th October 1936. As Jeremy Corbyn pointed out in his speech, it marked an important turning point in the fight against fascism in Europe in the 1930’s – Mosley had strong support among the British Establishment and had gained the sympathy from powerful right-wing newspapers (you can probably guess which). ‘The Battle’ that took place in 1936 was between the Metropolitan Police and the public defending the East End Streets – the Met there to protect Mosley’s British Union of Fascists. A Police Liaison Officer I spoke to in the march joked about how a he’d have received a very different reception from the crowd in 1936. He’d have been baton charging them on a horse most likely.

80 Years on and this was not a day of conflict but of celebration, a day to remember an important moment of unity and reflect on the lessons we still need to learn today. Nearly everyone I spoke to in the video above stressed that echoes of the rhetoric of division and hatred from the 1930’s were rearing their heads again. Racially motivated attacks in post-Brexit Britain are on the rise. Our tabloids spread fear and hatred of refugees.

The Great Yiddish Parade band soundtracked the day with interjections from a vocal anti-fascist section who chanted slogans in Italian and lit the way with multi-coloured flares. Banner of the event for me was the Woodcraft Folk – satin green hoisted on heavy-looking wooden poles and catching the wind blowing down Commercial Road. I was told how the Woodcraft Folk had lined up alongside the rainbow coalition of Jewish, Anarchist, Communist, Irish, and Trade Unionist groups who turned out on that day in 1936.

I also spoke with a friend of Altab Ali – the young Bangladeshi man stabbed to death by racists in 1978. The park where he was murdered today bears his name and was the mustering point for the march.

Cable Street 1936 is a powerful resonator in the history of London and events such as those yesterday remind us of the power of unity and community that we must never forget.

Interview about psychogeography and London Overground on Celluloid Wicker Man

celluloid wicker man

A couple of weeks ago I met up with film-maker Adam Scovell in the Olympic Park and we had a great chat about my London Overground film with Iain Sinclair, psychogeography vs deep topography, the development of London etc.

A: So where does London Overground fit into this then?
J: Part of Iain’s genius is, in the book (and I hope it comes across in the film), dealing with a really unwieldy idea and set of issues to get your head around by addressing it with such a universal idea.  I’ve been documenting various campaigns around London over the last few years, starting off with the E15 and even before.  And where you look at it on a case-by-case basis, there are economic patterns that underpin this and ways which different local authorities deal with this.  But, if you try and find a universal narrative, something that links it all together, it can be quite difficult.  Also, from a campaigning pointing of view, you deal with specifics.  So London Overground takes the simple device of walking in a day around the Overground, looking at that circuit, which is newly completed (before you had fragments) so we have a new circuit from disused track that ran from Dalston Junction to Whitechapel and other bits to complete a circuit that didn’t exist.  In doing so, in a microcosm, it tells you the story of what’s happening in London today.

Have a read of it here on Celluloid Wicker Man – and also check out Adam’s Super 8 films

There’s also an edited version of the interview here on 3:AM Magazine

On the trail of the Dagenham Brook

Leyton Sign Ruckolt Road

Something magical happens when you pack your bag for a walk, even on a day like today when my enthusiasm is thin. In goes the notebook and 2 pens, a copy of Rachel Lichtenstein’s new book Estuary, OS map of the Lea Valley & Epping Forest, camera + mini magnetic tripod, a light jacket, and finally a cap I stuff down the side. All of this crammed into a messenger bag that was given away by the thousand at the London Film Festival 12 or 13 years ago.

I contemplate the journey ahead over coffee at Costa in Leyton Mills – the vast carpark here with its expansive Lea Valley skies is one of my favourite open spaces in London – it’s like the American Midwest of my imagination. The prospect of the relatively short walk along the Dagenham Brook increases in appeal as the caffeine kicks in. These minor urban excursions can easily snowball into epic quests. It’s the anticipation of the unknown buried within the familiar. Of becoming lost in a suburban swamp.

Dagenham Brook
I navigate my way across the grid system of the Asda car park and over to Orient Way, under the Leyton sign to find the point where the Dagenham Brook disappears underground before making its confluence with the River Lea. This is so close to where the Fillebrook momentarily appears above ground (in a reversal of fortunes) that I wonder if these two brooks merge before running into the Lea as a single watercourse.

A broken hole in the thick undergrowth gives me my first glimpse of the Dagenham Brook. I slide down the bank getting snagged in the brambles in the process and struggle to extract myself once I’ve logged my encounter with the river. Urban river hunting is not as easy as it seems.

Dagenham Brook
Fifty yards or so further along a recently surfaced new path hugs the river as it meanders through Marsh Lane Fields. I remember the Beating of the Bounds here on a wet May Sunday afternoon 10 years ago just after we’d moved to Leytonstone. It had been organized by the brilliant New Lammas Lands Defence Committee and was my real introduction into the culture of this section of the Lea Valley with the deep passionate attachment to the landscape. Marsh Lane has had a powerful hold on me ever since.

Dagenham Brook Leyton FC
The brook curves round behind the goal of the abandoned ground of Leyton F.C. – the weeds thick, nearly enclosing the watercourse. I call artist Lucy Harrison to see if she’ll give me a quick 5-minute interview about the Warner Homes that straddle Lea Bridge Road and have the Dagenham Brook running through the gardens. Lucy did an interesting project with the residents of the Warner Estate and I wish I knew more about them – now would be my chance.

Warner Estate Leyton
Lucy obligingly popped out into Blythe Road and told me about how the houses had been built around the beginning of the last century to provide quality affordable rentable homes and had gradually been sold off since the 1960’s. Although they have lost the tidy uniformity of their early years when Warner staff trimmed the hedges and painted the doors and window frames green and cream – they retain a distinctive architectural style with the arched double front doors and elaborate gables. You know when you’ve strolled into a Warner Estate.

Dagenham Brook p1010216
The Brook gently flows on into territory where I can’t follow it closely – behind cul-de-sacs, round the back of industrial estates and allotments. There are allotments all along the course of the river – even more so than along the Filly Brook. The occasionally waterlogged, spring-fed land unsuitable for building or industrial use, I guess good for growing crops fond of wet soil.

Pumphouse Museum Walthamstow
I eventually rendezvous with the Brook again near the end the W19 bus route where it winds around the edge of Low Hall Sports Ground. I pay homage with a nod, a photo and a few seconds of video before moving on back along the road unable again to walk along the riverbank. In truth physical encounters are a bonus with urban river walking for me, it’s more of a simple device to open up what might appear an unpromising landscape unenthusiastic about yielding its secrets. The brook sets the route and tells you its story, guides the way.

St James Park Walthamstow

The Dagenham Brook suggests I take a look at St James Park, one of those backstreet open spaces known mostly to the locals but a beautiful spot. There are only a handful of people in the park – a lady sitting on the ground appears to have positioned herself dead centre of a large empty section. An access road leads down the middle of a wonderful grand avenue of lime trees. The park occupies part of the site of the 14th Century Low Hall Manor which was purchased by Walthamstow Council in the late 19th Century.

Dagenham Brook Walthamstow p1010264

The brook slides behind park and under the railway bridge now running parallel with the broader River Lea Flood Relief Channel. I’ve seen discussion online suggesting that the Dagenham Brook is also a man-made watercourse, a drainage ditch. Old OS maps of the area show an elaborate tapestry and ditches and ponds adorning the landscape – nearly all now buried or filled in occasionally rising again to flood a basement or waterlog a garden.

Seb Lester mural walthamstow
Moving beneath the railway you are greeted by a sequence of murals on the end of terrace walls. On the corner of Chester Road a verse from Ewan MacColl’s timeless song written for Peggy Seeger is painted in elaborate filigree font
                           The first time ever I saw your face
                          I thought the sun rose in your eyes

Louis Masai walthamstow

On the other end of the block is a work by Louis Masai of a Fox, Badger and Bees – the bees carry a placard appealing to ‘Save Us!’, the badger sits behind a sign saying ‘No to the Cull’. Around the corner is a colourful abstract work by Italian street artist Renato Hunto.

Mural Walthamstow
Moving in to Coppermill Lane I can’t see any further trace of the Dagenham Brook as it appears to have merged with Flood Relief Channel. I stand on a concrete block and look north along the course of the Lea and bid my farewell to this understated, wonderful watercourse.

sunflower walthamstow