Comments on my YouTube channel had pointed out that sections of the area around Euston Station were endangered by the coming of HS2 – so back at the end of October I decided to take a stroll with my camera. Euston Street looks to be worst hit with the magnificient Bree Louise, said to be one of London’s finest pubs, a victim. I feel a duty to log the buildings due to be cleared away, aware of how changes to the built environment erase memory.
Round into Drummond Street, previously hit by renovations to Euston Station in the 1960’s – it once led to the Euston Arch – smashed up and tossed into River Lea/Prescott Channel. Drummond Street will again be chopped up. I stop for lunch at one of the Indian restaurants that give the street its fame, unwittingly choosing the establishment, Diwani, that claims to be the first South Indian restaurant in Britain – opening in 1970.
Through Somers Town, with its Georgian Coffee House and on to The Brill behind the British Library where the great antiquarian William Stukeley interpretted a series of mounds and undulations in the fields beside the River Fleet as the remains of Caesar’s Camp. This has been revised more recently as the possible location of an abandoned medieval settlement.
Just around the corner is the beautifully designed modernist Ossulston Estate, built between 1927-31 by the London County Council and inspired by Vienna’s Karl Marx-Hoff. The rain now is starting to harden and cameras don’t usually enjoy getting wet, so I quickly wrap up my filming before taking refuge in the British Library.
It was an odd walk in a way, but one that has stayed with me over the Christmas period since. There was just the desire to walk – to be out. I knew where I didn’t fancy and with only around 3 hours of daylight I wanted options for walking in the dark. The pivotal moment was at the ticket barriers – east or west.
I alighted at St.Pauls and let old instincts guide me. A look at the Roman London Wall in Noble Street, the on to Golden Lane Estate where there was a recent protest against the redevelopment of former Police accommodation into a block of luxury flats.
Up Goswell Road and across Northampton Square, one variation on my daily walk home from work at the South Bank when I lived up at the Angel, and also our route to Ironmonger Row Baths. Andrew Kötting’s expression ‘the noise of memory’ came to mind, when there is so much memory attached to an area that it almost becomes overwhelming. This territory on the slopes of Islington and Finsbury is like that for me, the sound intensifying as I made my way up Chapel Market, the Christmas tree seller having a furious argument down the phone kicking empty boxes. There’s a For Let sign above the iconic Manze’s pie and mash shop, the one featured in The London Nobody Knows, let’s hope I don’t add to the ‘Dead Pie Shop Trail’*.
On through Barnsbury to Holloway Road as the sun starts hitting the glorious Holloway Odeon. I sorely tempted to give up the ghost and while away an hour or two in the Coronet – a beautiful old cinema converted into a Wetherspoons. Something keeps me plodding on towards the Northern Heights, an image I’d conjured in my head at the beginning of the walk of ending up in Highgate.
Faced with the Archway Tavern I think of Nick Hornby’s novel High Fidelity that I first read some 20 years ago when music played a far bigger part in my life than it does today and I would routinely pass a happy hour thumbing through racks of vinyl on dusty old record shops. At the time I felt the Archway Tavern must have been the pub/venue in the book where the record shop staff watch bands. The shop, Championship Vinyl, is located in on Seven Sisters Road (so is the Harry Lauder actually the World’s End instead?). There’s a secondhand book stall in front of the old Archway Tavern and sure enough they have a slightly battered copy of High Fidelity that I pick up for £2.50 and have been reading over Christmas. It’s funny how the book has aged in that time.
Highgate Village was every bit as festive as hoped with chains of Christmas lights looped across the High Street. I make for the Gatehouse, an old coaching inn with a resident ghost. I tell the young barman about the spectral guest that haunts the pub and he fixes me with a look of disbelief. ‘It’s true’, I say, ‘look out for it when you’re locking up later.’
– – – – – – – – – – – –
* this was an essay I wrote for Jake Green’s photobook documenting the surviving Pie and Mash shops in London. My essay was a walk linking sites of several former Pie and Mash shops. There are copies of the book in each of the remaining Pie and Mash Shops in London. Get yourself a double pie and mash and settle down with a copy.
With clear midwinter morning sky, rooftops and hedgrows swaddled in frost, I headed down Lea Bridge Road bound for Leyton and Walthamstow Marshes. I’d been meaning to make a video of this magical zone for a while, but somethings are too precious to capture on camera it seems – perhaps that’s why the resultant video was shot on 3 of them.
The best entrance to the marshes isn’t via Lea Bridge Road, or the path across from the Filter Beds, but over the old iron footbridge from the Argall Avenue Trading Estate that carries you across the railway tracks and the River Lea Flood Relief Channel. Muddy puddles were frozen solid revealing nature’s pattern in the whorls and curls embedded in the ice. The jacketted horses in the Riding Centre blew out big plumes of breath. Dogs scarpered across Leyton Marsh to the river bank. Vapour trails embroidered the sky. It was glorious.
The A.V. Roe railway arch
I marked the line of trees demarcating the parish boundary between Leyton and Walthamstow that I’d been shown on a Beating of the Bounds organised by the New Lammas Lands Defence Committee when I’d first moved to the area. Then on to another memory stored in A.V Roe’s railway arch, not of that first triplane flight in 1909, but of singing the wassail song here with the Hackney Tree Muskateers.
Walthamstow Marshes is decorated with the droppings left behind by the Belted Galloway cattle reintroduced to the marshland to help restore the ‘natural’ order created by thousands of years of human interaction with this landscape. The cattle themselves were curiously elusive.
The circuit was completed by turning across Coppermill Fields and through the Mural Underpass to the Lammas Meadow. A horse trotted around the field edge. The horizon on all sides was marked by cranes and other signs of construction as the Lea Valley undergoes another period of change. This stip of marshland, preserved through previous struggles, has never felt so precious.
I’ve been incredibly fortunate to have a number of pinch myself moments in my life (chatting about Liverpool FC with childhood hero Ian Rush was one), but having the opportunity to participate at the beginning of the journey and shoot some footage for this magical film, Edith Walks by visionary film-maker Andrew Kötting was certainly one of them. The performance event this summer at the East End Film Festival featuring the cast of this film – with Andrew, Iain Sinclair, Claudia Barton, Jem Finer and David Aylward was one of the highlights of the year. Now you can take the journey home on DVD.
“Following the Director’s bestselling Swandown film (2012), Edith Walks is a 60 minute 66 second feature film inspired by a walk from Waltham Abbey in Essex via Battle Abbey to St Leonards-on-Sea, East Sussex, in Southern England. The film documents a pilgrimage in memory of Edith Swan Neck. Bits of King Harold’s body were brought to Waltham for burial near the High Altar after the Battle of Hastings in 1066 and his hand fast wife Edith Swan Neck is seen cradling him in a remarkable sculpture at Grosvenor Gardens on the sea front in St Leonards. The film re-connects the lovers after 950 years of separation. The 108 mile journey, as the crow flies, allows the audience to reflect upon all things Edith. A conversation in Northampton between Alan Moore, Iain Sinclair and Edith Swan Neck is also a key element to the unfolding ‘story’.
With images shot using digital super-8 iPhones and sound recorded using a specially constructed music box with a boom microphone the film unfolds chronologically but in a completely unpredictable way. Music by Jem Finer with David Aylward, Claudia Barton and Andrew Kötting. The numerous encounters and impromptu performances en route are proof, as if needed, that the angels of happenstance were to looking down upon the troop, with EDITH as their hallucination. Starring David Aylward, Claudia Barton, Anonymous Bosch, Jem Finer, Andrew Kötting, Alan Moore and Iain Sinclair.
Extra bonus film included: Forgotten the Queen (11 min) is a short animated film that digs into themes inspired by the life of Edith Swan Neck. In this, the Director’s daughter, Eden’s drawings and collages are brought to life by renowned animator, Glenn Whiting.”
Such is my desire to tramp every square of my Ordnance Survey map 174 ‘Epping Forest & Lea Valley ‘ that I try to avoid repeating walks too often. Of course that goes out of the window when my youngest son joins me on our favourite routes through the Forest to arrive at the Royal Forest Brewers Fayre at the Hunting Lodge, Chingford. But, for my series of Walking Vlogs I try to break new ground where possible. The justification for following this route (in the video above) was that, although I’d walked it before with my son 3 years ago, it had largely been undocumented.
This was not intended as a long walk, as I set out across the rough field the other side of the tracks from Theydon Bois tube station. I was merely intending to follow the tracks of that previous walk, picking up the trail across that curious teasle infested field the other side of a babbling brook where someone had pitched a tent among the tall spikey stems. I had to navigate through great pools of recent November rain discovering along the way that my boots were no longer waterproof.
I had some difficulty locating the spot on the high ground by the field edge where we’d had our picnic that September afternoon but after some tooing and froing was glad to find the place – although there’d be no sitting to take in the view on a wet and windy November day.
The track on the other side of the M25 was a glorious tunnel of autumnal colours and it encouraged me to push on in a different direction rather than cutting across the farmland to the outskirts of Epping by the Station. The path led around the perimeter of Epping Golf Course where the Sunday golfers were glad to give directions, curious to have a rambler in their midst. Then I walked along a field edge down to the brilliant named Fiddlers Hamlet.
The light was starting to fade but with the half-hour or so remaining I followed a section of the Essex Way out from Epping to Coopersale and Gernon Bushes. The way back in the last of the day led me over the disused section of the Central Line between Epping and Ongar, now operated some weekends and during holidays by the brilliant Epping to Ongar Railway.
It was dark by the time I sloped up Epping High Street and bagged a pork pie from the butchers. Early Christmas lights twinkled and late shoppers huddled in the cafes. I found a table near the back of Cafe Nero and plotted future walks.
The overnight arrival of snow was announced early on Sunday morning by the excited screeching of my youngest son. I was initially less enthusiastic as I’d hope to head out on a long walk – perhaps even venture across the river, but a quick glance at the TfL website confirmed that a mere layer of snow had taken out several tube and train lines.
Just after midday, with my GoPro fully charged and the kids thawing out in front of the telly after a vicious backgarden snowball fight, I set out over Wanstead Flats. This has been my default location when it snows – the open expanses shielded by perimeter trees conducive to trapping in the snowfall – unlike the surrounding streets where it quickly turns into a grey sludge.
The football pitches on the Leytonstone side had the goal posts set out in anticipation of Sunday morning matches but the field was dominated by a squad of snowmen.
Louds squeals and hollers went up from a mound of the Alexandra Lake near Aldersbrook where families sledged down to the waters edge. Flocks of birds swooped in for whole slices of bread. Others took advantage of frozen pontoons to rest on the body of the lake.
As the light faded towards the 3.50pm sunset the temperature dropped another degree or two so that the cold sought out those gaps around the edge of your clothing. I trudged over more snow cloaked football pitches and eventually to the path leading through Bush Wood from where I watched the twinkling lights of the distant city skyline foregrounded by Leytonstone’s iconic Fred Wigg and John Walsh Towers.
WW2 Barrage balloon posts
Last night brought rain instead of snow. The kids didn’t get the hoped for day off school and as we made our way along the road this morning, we looked out for forlorn patches of the icy crystals that were the only remnants of winter wonderland of yesterday.
A Friday morning and the need to hit open space, to sniff the edge of the city. A hasty perusal of the maps pointed the way to Rainham Marshes and Purfleet with an easy route via the Overground changing at Barking.
A long ramp leads directly down from Rainham Station onto the edge of the marshland. Birds rattle around in the tall stems of grasses. It feels as if I’m encroaching on wildspace, an intruder. Phalanxes of dried out cowparsley (?) and teasles look resplendent in an unseasonal burst of sunshine. I rest on a bench and peel off layers all the way back to my t-shirt and soak up the last natural heat for months to come.
Arriving on the Thames shore at Rainham, the concrete barges lie marooned by the riverbank. Constructed from reinforced concrete they were towed out into the Thames as part of the Mulberry Harbour that played a vital role in the Normandy D-Day Landings of 1944. Then in 1953 they came to aid of the nation once again when they contributed to the Thames estuary flood defences. Now they’ve been claimed by flocks of birds which perch along the decks and strutt the prow. There’s something noble and proud about the concrete barges even as they slowly sink into the estuarine mud.
Past the shipping beacon at Coldharbour Point and a fleet of Routemaster buses I arrive at the old MOD firing range on the edge of the marshes near Purfleet, the broken chainlink fence a reminder of that this was a restricted area until around 2000. Now it has found new life as an RSPB Nature Reserve. The past briefly returned in 2013 when an unexploded bomb was discovered during maintenance work requiring a controlled demolition. Makes you wonder what else is lurking buried in the mud.
The visitor centre at RSPB Rainham Marshes is a stiking building poking above the marsh grasses designed by van Heyningen and Hayward architects. It strikes me as something you might find on Tatooine in a ‘galaxy far, far away’. Aside from a great view across the nature reserve the centre has a decent cafe where I process the walk sat amongst cappucino sipping Twitchers before getting the train home from Purfleet.