To the Renoir to see Iain Sinclair and Robert Klinkert’s 1967 film ‘Ah Sunflower!’. The film is semi-legendary, an important part of the Sinclair narrative. He’s written of how the cash he received from the German TV company WDR paid for his Hackney house. The story of the filming became Sinclair’s first (self) publication ‘The Kodak Mantra Diaries’.
The Renoir is sold-out, midday Sunday. I see Iain in the foyer, and we briefly talk about my film of Nick Papadimitriou, ‘Beyond Stonebridge Park’, that he has kindly screened excerpts of at ‘City of Disappearances’ events. I foist a copy of my Wycombe book, DVD and DHPS newsletters upon him. When I point out the Nodules of Energy reference that I took from his ‘conversation’ with Will Self at St Luke’s in 2004, he seems amused by the application of this formula to High Wycombe rather than Bunhill Fields.
He’s enthusiastic about the gathering, the numbers, the energy enlivening the corporate monocultural concrete of the newly de-generated Brunswick Centre. We should stage another Congress of the Dialectics of Liberation, at the Roundhouse, 40 years after the original, open up the secret London, an all-nighter, Iain says. It seems plausible, it seems like the right moment, the backdrop being Iraq rather than Vietnam, Blair for Wilson.
Sinclair introduces the short film selection as “what some people might call ‘Deep Topography” – a term outlined by Nick in our film. He adds the definition that it’s a “going back into the City and looking at it in a kind of structuralist way.”
Ah, Sunflower!, exceeds expectations, the casual camerawork, the capturing of Allen Ginsberg in full flow delivering mantras and propositions of a kind of psycho-politics that seems ripe for realisation.
Iain’s 1972 film ‘Maggid Street’ gets a rare outing, a surreal Brakhage-inspired gothic tale, a minor masterpiece. Sinclair has hours more of unscreened 8mm footage waiting to be unleashed, Bolex diaries of Hackney’s transformation in the 70’s.
There’s talk of re-staging the event somewhere, in one of the Curzons. If you don’t make it, the DVD is available from The Picture Press (mailto:firstname.lastname@example.org. Beat Scene has also republished ‘The Kodak Mantra Diaries’ (I think Dolly Head Books has one of the ultra-rare originals).
Iain Sinclair will also be at the NFT on Feburary 27th interviewing Andrew Kotting after a screening of Kotting’s new film ‘Offshore (Gallivant)’ – book early if today’s anything to go by.
Iain Sinclair has written about the experience of making the film on the Guardian’s arts blog