Edith Walks – Andrew Kötting, Iain Sinclair and their band of Mummers

Edith Walks Iain Sinclair Jem Finer

Ahead of EDITH: A Performance at St John’s on Bethnal Green  in the East End Film Festival I recall the day I spent with Andrew Kötting’s merry band of Mummers as they started out on their 100-mile pilgrimage to Hastings from Waltham Abbey

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The bird, a raven a rook a crow?, sits on Iain Sinclair’s arm. Iain tells Andrew Kötting it’s ‘a corpse feeder, an eye pecker’, he’ll find Harold on the battlefield, or in this case Andrew buried up to his neck on Hastings beach. Andrew’s suit is a collaboration with his daughter Eden, decorated and annotated for the Jack in the Green festival in Deptford and Hastings. Iain suggests Andrew should be barefoot, ‘What for 100 miles’, Kötting retorts.

Edith Walks Andrew Kotting Iain Sinclair
I’d met up with David Aylward and Jem Finer just off the train out of Stratford – easily identifying them on the platform at Waltham Cross – Jem with his custom-built shopping trolley mounted recorded device, Dave dressed in camouflage fluro. We stop off on the walk into town to pick up some WD40 to lubricate the squeeking sound coming from Jem’s audio jalopy, now wondering about the reality of dragging this thing 100 miles to Hastings.

Edith Walks Claudia Barton Iain Sinclair
We gather around the modest stone monument behind Waltham Abbey that claims to be the final resting place of at least some of Harold’s remains. Anonymous Bosch takes pin-hole photos whilst we mooch around the graveyard. From afar the group has the look of a bizarre wedding party milling around before the service, excited anticipation, taking photos, catching up small talk. These are the final moments before their epic schlepp to Hastings retracing the footsteps of Edith Swan-neck to sort through the hacked rotting corpses on the battlefield at Hastings looking for the remains of her beloved Harold.

Edith Walks Iain Sinclair and John Rogers

photo by Andrew Kotting

My own journey will end at Enfield Lock, cut short by the necessities of parenthood, but Andrew has invited me to gather some footage for possible inclusion in our London Overground film with him and Iain as a mad side journey, ‘Treat it as some kind of crazed vision’, Andrew advises. It found its home in the film with Andrew dressed as the Straw Bear in Brompton Cemetery talking about the experience of walking with Iain Sinclair, how it alters your idea of time, the images of Andrew’s troupe of Mummers wandering through the fly-tipping beneath the M25 fly-over just south of Waltham Abbey perfectly illustrating this sentiment. Some of the footage also ended up more appropriately housed in the film Kötting made of their expedition, Edith Walks.

Claudia Barton chats idly to Jem Finer about the real historical Edith Swan-neck and her link to the shrine at Walsingham in Norfolk, ‘I like the idea of her being a little bit spiritual and a little bit nut nut. All women in those days knew the power of herbs and a little bit of sorcerey’, she says with a smile. Gliding along the Lea Navigation towpath in flowing white gown she stops to inspect the flowers in the hedgerow channeling Edith’s plant lore.

David Aylward is turning every solid object we pass into a percussive instrument, jumping onto a moored industrial barge knocking out an infectious rhythm. Passing cyclists wonder what madness they have stumbled upon, thinking better of asking and peddling on bemused.

Edith Walks Claudia Barton Andrew Kotting Iain Sinclair
Passing beneath the M25 with Iain Sinclair I have to call along the path, ‘Iain, look, it’s your road’, he smiles and we stop to chat about his millenial yomp around the M25. Iain leads us up the footpath beside the viaduct to a grassy area next to the road barriers battered by London Orbital traffic noise. Anonymous Bosch reclines in the grass taking snaps and shooting video on various devices, I spot at least three.

Anonymous Bosch
I was gutted to wave them off at Enfield Lock. Iain and Andrew suggested I could rendezvous with them further down the route but it isn’t to be. Claudia/Edith picks up the hem of her flowing white wedding gown out of the Lea Valley trail dust, Jem tinkers with his audio device and off they go to Hastings.

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Edith: A performance at the East End Film Festival Sunday 25th June 8.30pm.

For 50% off ‘friends list’ use the code: EDITH

Andrew Kötting and author Iain Sinclair take another epic journey through England’s buried history in EDITH. Following on from Swandown and By Our Selves (both screened by EEFF) Kötting and Sinclair embarked on a 108 mile walk from Waltham Abbey to St Leonards-on-Sea in memory of Edith Swan Neck, the mistress of King Harold.
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Reconnecting and consoling historic lovers after nearly 1,000 years, the experience has inspired a film (Edith Walks), bookwork and this special live film-music-performance event, incorporating spoken word from Iain Sinclair, with music and soundscapes by David Aylward, Claudia Barton, Jem Finer and Andrew Kötting, set to the spectral images of Kötting’s film. A chance to experience an extraordinary project in the atmosphere of St. Johns on Bethnal Green, with EDITH as their hallucination.

The film Edith Walks is on general release across the UK from 23rd June

 

By the Mulberry Tree at Charlton House with Iain Sinclair

John Rogers and Iain Sinclair in Charlton Park

The mirror by the Mulberry Tree at Charlton House made this shot impossible to resist. Being with Iain Sinclair by a Mulberry Tree made me think of the detailed description of the silk trade in WG Sebald’s Rings of Saturn, silk worms feed on mulberry leaves. I’ve just read the chapter in Iain’s forthcoming book The Last London where he retraces an East End perambulation from Austerlitz with Sebald’s friend, the poet Stephen Watts.

This black mulberry is believed to be around 400 years old, just marginally younger than Charlton House, built in 1607. But unlike the bricks and mortar of the grand Jacobean mansion the mulberry tree is a living being, arms reaching out into the park and the fine public convenience behind by the road.

We were passing through the park filming a thread coming off the Watling Street project, a tributary running off Shooters Hill, another film now taking shape to be presented in the autumn.

A Canterbury Peculiar – London Overground at the Full English Festival

Canterbury High Street

Canterbury High Street was heaving. I arrived on the midday train from Stratford International with about an hour-and-a-half before the screening of London Overground at The Gulbenkian Cinema on the University of Kent campus.

Third Eye Canterbury

A felt this Third Eye watching me as my baseball cap was blown off my head by a strong gust of wind. I went into the Oxfam bookshop a couple of doors down and a Third Eye was embossed in gold on the cover of a 1890’s book about poverty in London. Was this a message that I should be looking for some particular insight on my trip to Canterbury, or just a confluence of easy esoterica?

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The Cathedral spire poked above the rooftops of narrow medieval streets. In my mind I saw footsore pilgrims hobbling through the lanes weary from the road and for a brief period vowed to walk the Pilgrims Way from London.

count louis zborowski garage canterbury

I was quite disappointed that this interesting looking old building turned out to be the garage used by Count Louis Zborowski to build some dodgy early racing cars called ‘Chitty Bang Bang’.

Crab and Winkle Path Canterbury

Crab and Winkle Path Canterbury

The Path out of Canterbury City Centre to the University of Kent follows part of the Crab and Winkle Railway. Opened in 1830, the Whitstable to Canterbury Railway is one of the candidates for being the first railway line in Britain.

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The final stretch was across a field dominated by a large oak and then naviagting my way through the concrete cubes of the University of Kent Central Campus to the Gulbenkian Cinema.

 

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The screening of London Overground was part of the University’s Full English Festival. The festival marquee was deserted although a table covered with empty water bottles hinted at prior activity. One of my favourite films, The Wonder Boys, is set against the backdrop of University Literary Festival, there are parties and debaunchery, affairs, a stolen Marilyn Monroe jacket – Full English seemed a far more sedate affair.

London Overground Gulbenkian

I intended to leave the auditorium after introducing the film but ended up sitting in the front row and watching the first 20 minutes. It’s great to see something you’ve made projected on the big screen, memories of each shoot coming back vividly – standing on the Thames shore at Rotherhithe with Iain Sinclair and Andrew Kotting, leaving Iain’s house on a cold January night for a walk to Hampstead – and at that time not being able to imagine a moment like this sitting in a large cinema in Canterbury on a boiling hot day with people who’d come in from the sunshine to watch my film. It was a really good feeling.

University of Kent CampusWhile the film played I got a surprisingly tasty cheeseburger from the University shop and sat on a grassy bank with great views over Canterbury. Students ambled about, lounged on the grass, it was a very different scene to my student days at City Poly.

There was a good Q&A after the film, the questions almost entirely focusing on the development of London and the bleak picture of where it appears to be heading. I always try and look for some optimism but in the end we discussed the weather (it rained on nearly every walk in the film) and the experience of walking with Iain Sinclair. I mentioned our recent walk along a portion of Watling Street and the footage I’d shot with plans to shoot more, what it’ll become I’ve no idea. The next film, The Zookeeper’s Wife was due to start soon followed by Ben Wheatley’s Free Fire, so we moved out into the foyer.

I ambled back down into Canterbury with a friend for a couple pints before getting the High Speed back to Stratford.

Alan Moore and Iain Sinclair at the Brighton Spiegeltent

Alan Moore Iain Sinclair Brighton May 2017

Down to Brighton to see Iain Sinclair and Alan Moore speaking at an event  in the Brighton Festival Spiegeltent celebrating the amazing history of Watling Street, a road so old, as John Higgs told us, that it may even predate humans, being carved out by migrating animals.
Iain Sinclair Brighton May 2017
Iain Sinclair recounted his walk along the section of Watling Street from Dover to Westminster, with the footage shot by Andrew Kotting and myself projected on the screen behind. He talked of the mysteries of Shooters Hill, Andrew’s constant banter that on one occasion led to missing the last room at a Travelodge and having to sleep on the floor of a disabled toilet. He told the story of walking to Mortlake with Alan Moore to visit the home of John Dee, Moore arriving at his house with a bag laden with esoteric books.

Iain Sinclair Brighton May 2017

After a musical interlude Alan Moore took to the stage and gave a long and beautiful riff on a conversation with a scientist (I think) who’d explained the probability that we are living in a computer simulation. Alan’s own intervention on this theory was both funny, enlightening and poignant linking it back to explaining to some people in Milton Keynes how he could be their God as he had worked on the building of Milton Keynes. He also gave a brilliant explanation on the meaning and importance of psychogeography, how you can create your own epic mythology for where you live and your own place in that world. It was one of those evenings that makes you feel differently about the world around you, mind expanded, horizons widened.

Alan Moore and Iain Sinclair at the Brighton Spiegeltent 24th May 2017

Afterwards I went and ate fish and chips on the beach and pondered Alan Moore’s idea that perhaps we live the same life over and over again instead of merely ceasing to exist after death – this, he posited, was a good reason to fill your life with great moments. With this in mind I bought two cans of Adnams Southwold Bitter to drink on the train back to London.

 

Walking Roman Watling Street with Iain Sinclair, Andrew Kotting and Anne Caron-Delion

Iain Sinclair Andrew Kotting Old Kent Road

Out along Roman Watling Street yesterday with Iain Sinclair, Andrew Kotting, and Anne Caron-Delion – walking from Shooter’s Hill to Westminster. The image above was taken in front of the fantastic ‘History of the Old Kent Road’ Mural on the old North Peckham Civic Centre. The mural, by Adam Kossowski (1966), tells the story of all the epic journeys that have taken in the road over its long history.

Iain asked me to pose in front of the figure of Jack Cade, who led a revolt against the King in 1450, as he saw a resemblance – must have been my beard and nose. Earlier we had passed over Blackheath where both Cade, and earlier Wat Tyler in the Peasants Revolt of 1381, had rallied their forces for an assault on the City.

Anne Caron-Delion Iain Sinclair John Rogers

Anne Caron-Delion, Iain Sinclair, John Rogers – photo by Andrew Kotting

Anne, an academic from UCA, lives near Watling Street and was a great source of local lore – leading us across Blackheath, pointing out relevant and interesting heritage. She was also channeling info garnered from spending time living intermittently with a Watling Street obsessive; David Aylward and as well as drumming for Ted Milton’s BLURT, some refer to as the King of Deptford. David was one of Andrew’s troupe of Mummers who passed across Blackheath for the film Edith Walks, and was memorably acousted by the Police for drumming on the site of ancient (some say neolithic) tumuli. Either Anne or Andrew mentioned being on the spot with Julian Cope during the writing of his epic book The Modern Antiquarian but my memory is muddled on this point.

I captured some footage along the way that will form a silent backdrop to the event Iain’s doing in Brighton with Alan Moore and John Higgs on 24th May, The Ghosts of Watling Street

“Three visionary authors – Alan Moore, Iain Sinclair and John Higgs – gather under one roof to take an epic journey through Britain’s hidden history, geography, myth and culture, as they travel west along one of Britain’s oldest roads – Watling Street – from Dover to Wales, via London and Northampton. Along the way Moore, Higgs and Sinclair reveal a country haunted by John Crow, St Alban, William Blake, Rod Hull and Emu, James Bond and stranger ghosts of its past – as they unearth an identity of Britain that transcends our current Brexit divisions.”

John Rogers Iain Sinclair Andrew Kotting

I also shot some great footage with Iain and Andrew that will form a video on my YouTube channel in the coming weeks. Filming them yomping along the busy road, stopping to attempt to gather cutaways then jogging along to catch them up, took me back to the filming of London Overground which Iain recounts in his forthcoming book The Last London. It’s always a real joy to go out on the road with these two great gentlemen.

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Andrew Kotting’s latest film, Edith Walks (for which I shot some footage), is screening across the UK in the summer. There are two special events coming up in London that are not to be missed:

23rd June 2017 – ICA with Readings and Q&A

2nd July 2017 – Curzon Aldgate with musical performance and Q&A

Also screening at:

07/07/17 Showroom, Sheffield

09/07/17 Watershed, Bristol

20/7/17 Filmhouse, Edinburgh

19/7/17 Glasgow Film Theatre, Glasgow

23/6/17 Tyneside, Newcastle

London Overground at the Transport Museum – photos

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Great screening of London Overground at the Transport Museum last night followed by a Q&A with Iain Sinclair. Always learning from these discussions. I have to be honest that I got an added buzz from the fact that we were showing the film at one of the great destinations for London lovers – the Transport Museum – I get a thrill every time I step through the door of that place so to be doing an event there felt special.

Sat on the floor next to my chair is a proof copy of Iain’s new book The Last London, really excited to read this.

The next screening of London Overground is at the Flatpack Film Festival, Birmingham 9th April with the fantastic Video Strolls.

Kodak Mantra Diaries – Iain Sinclair

Kodak Mantra Diaries Iain Sinclair

Kodak Mantra Diaries, Iain Sinclair’s cult record of his time with Allen Ginsberg in the London summer of The Congress on the Dialectics for the Demystification of Violence in 1967 – has just been given its first hardback edition by L.A. publisher We Heard You Like Books some 45 years after Iain first published it through his Albion Village Press. Interestingly the book also includes new texts continuing Sinclair’s fascination with the Beats. And having loved American Smoke, this alone makes it worth buying a second copy of this previously hard-to-find classic.

Here’s how We Heard You Like Books describe Kodak Mantra Diaries:

For two weeks in 1967, London’s Roundhouse hosted The Congress on the Dialectics for the Demystification of Violence, a counterculture happening showcasing R.D. Laing, Gregory Bateson, Emmett Grogan, Stokely Carmichael and Herbert Marcuse. The event’s acknowledged star was Allen Ginsberg.

As he pronounced to radical England, Ginsberg was followed by a young filmmaker with a commission from West German television to produce a documentary on the poet. That filmmaker’s name was Iain Sinclair.

Four years later, Sinclair gathered his notes and photographs of the experience and published Kodak Mantra Diaries on his own Albion Village Press. Wrestling with his brush with the poet and 1960s radical politics, Sinclair produced an astonishing prose debut, setting the template for his later works of non-fiction.

We Heard You Like Books is pleased to present the first hardcover edition of this little seen classic, accompanied by new texts which track Sinclair’s continuing fascination with the survivors of the Beat Generation, and record random encounters in the years that followed his initial engagement.We Heard You Like Books