Back to Birmingham – City of Surrealists

Screening with the brilliant Video Strolls has the added bonus of a chance for a wander round Birmingham. I’ve blown through a couple of times before on tour with Russell Brand but those occasions were restricted to backstage views of venues and a quick dash through the Bull Ring searching for gifts for the family.

The occasion this time was a screening of London Overground at the Flatpack Film Festival and despite my best intentions I arrive with only an hour or so to explore. Instead of searching out new sights/sites I want to pay homage to the Birmingham Surrealists and somehow connect them to Birmingham’s Edwardian arcades.

King Edward House Birmingham

The crowds are out enjoying the sunshine pitching into New Street. There’s something about the architecture that reminds me of Downtown LA, the fading grandeur of former times. Could Ridley Scott save himself a few quid and shoot the next Blade Runner movie in the midlands, bounty hunters pursuing Replicants along the corridors of King Edward House.

Trocadero Birmingham

I stand outside the Trocadero pub in Temple Street, one of the haunts of the Birmingham Surrealists. I know the Kardomah Cafe is nearby but can’t locate the exact location until Andy Howlett takes me back there after the screening to point out the ghost sign still visible above the entrance to Hawkes and Curtis menswear shop.

Emmy Bridgwater Night work is about to commence

Emmy Bridgwater Night Work is About to Commence (1943)

I move on to the Birmingham City Gallery and Museum to find the surrealists there. The entrance is dominated by Jacob Epstein’s bronze statue of Lucifer (1944-45). After touring the galleries I find a painting by Emmy Bridgwater  Night Work is about to commence (1940-43). Bridgwater, born in Edgebaston in 1906,  was a key member of the Birmingham Surrealists along with Conroy Maddox and John Melville. It’s Melville’s Aston Villa that I spot next, painted in the year Villa won the cup, 1956.

The Victoria Birmingham

Time is moving on as it has a habit of doing when you have somewhere to be and I advance to the venue of the screening, a beautiful art deco boozer behind the Alexandra Theatre. The screening is packed and the film seems to go down well in its first outing beyond London. But once again I depart Birmingham vowing to return for more thorough exploration.

 

London Overground goes to the Flatpack Film Festival

London Overground departs from the Capital for the first time with a screening at the brilliant Flatpack Film Festival in Birmingham on Sunday 9th April. The event has been organised by fellow travellers Video Strolls who I’ve previously had the great pleasure of screening with at Flatpack in 2015, and also at the MK Gallery in Milton Keynes. I’ll be going up to Birmingham to do a Q&A and also hope to explore more of the city that beguiles me more with every visit – on each occasion for a Video Strolls event.

Book tickets to see London Overground at Flatpack Film Festival Here

Iain Sinclair John Rogers London Overground

Back in October 2016 London Overground screened at the Genesis Cinema in Stepney Green and the Q&A I did with Iain Sinclair is now available as a podcast from the Luxury Book Club – it was a good one if I remember correctly. You can have a listen below:

London Overground at the Transport Museum – photos

IMG_1373 IMG_1374

Great screening of London Overground at the Transport Museum last night followed by a Q&A with Iain Sinclair. Always learning from these discussions. I have to be honest that I got an added buzz from the fact that we were showing the film at one of the great destinations for London lovers – the Transport Museum – I get a thrill every time I step through the door of that place so to be doing an event there felt special.

Sat on the floor next to my chair is a proof copy of Iain’s new book The Last London, really excited to read this.

The next screening of London Overground is at the Flatpack Film Festival, Birmingham 9th April with the fantastic Video Strolls.

London Overground on London Live and Earls Court

So I ended up talking about my London Overground film with Iain Sinclair on London Live 1 0’clock news the other Sunday. The screening at Leytonstone Pop-Up Cinema the following Wednesday saw the biggest turn-out we’ve ever had at the film club in the 8 years we’ve been doing it. It was a nice homecoming for the film and there was an interesting Q&A afterwards.

 

John Rogers Leytonstone

Tonight I’ll be showing some clips from the film at the Earl’s Court Fringe Film Night with an extended cut of the footage shot in Brompton Cemetery with Andrew Kotting dressed as the Straw Bear and Iain Sinclair talking about some peculiar associations mostly notably Williams Boroughs sitting atop the tombstones making strange recordings of the dead.

earls-court-halloween_orig

The next screening of the full-length film will be at the Swedenborg Film Festival in Bloomsbury on Saturday 26th November alongside Andrew Kotting’s new film Edith Walks.

London Overground at the Genesis Cinema

Genesis Cinema

The other week London Overground screened to a great audience at the Genesis Cinema in Stepney Green, close to where Iain and I passed on one of the walks in the film.

Iain Sinclair London Overground film

I really enjoy doing the Q&A’s with Iain Sinclair at these events – we did a number while making the film, screening short extracts and talking about the process as it was emerging. It was a wide-ranging discussion covering Iain’s most recent project with Andrew Kotting, Edith which features briefly in London Overground. Iain also mentioned his 90’s collaborations with Chris Petit, how these overlapped into our Overground film and my willingness to just go out and film at a moment’s notice – what Iain described as a “cinema, literary, performance nexus as a kind of community”.

Iain Sinclair John Rogers London Overground

The issue of what is happening with the development of London of course was raised and I mentioned my work filming various campaigns around London. Iain talked of the “corruption of language” being used by developers and local authorities which he sees as a “defilement” triggering his desire to “go back to the language of poets who have taken on the city”.

The next screening of London Overground is 2nd November at Leytonstone Pop-Up Cinema

Interview about psychogeography and London Overground on Celluloid Wicker Man

celluloid wicker man

A couple of weeks ago I met up with film-maker Adam Scovell in the Olympic Park and we had a great chat about my London Overground film with Iain Sinclair, psychogeography vs deep topography, the development of London etc.

A: So where does London Overground fit into this then?
J: Part of Iain’s genius is, in the book (and I hope it comes across in the film), dealing with a really unwieldy idea and set of issues to get your head around by addressing it with such a universal idea.  I’ve been documenting various campaigns around London over the last few years, starting off with the E15 and even before.  And where you look at it on a case-by-case basis, there are economic patterns that underpin this and ways which different local authorities deal with this.  But, if you try and find a universal narrative, something that links it all together, it can be quite difficult.  Also, from a campaigning pointing of view, you deal with specifics.  So London Overground takes the simple device of walking in a day around the Overground, looking at that circuit, which is newly completed (before you had fragments) so we have a new circuit from disused track that ran from Dalston Junction to Whitechapel and other bits to complete a circuit that didn’t exist.  In doing so, in a microcosm, it tells you the story of what’s happening in London today.

Have a read of it here on Celluloid Wicker Man – and also check out Adam’s Super 8 films

There’s also an edited version of the interview here on 3:AM Magazine

London Overground Q&A with Iain Sinclair at the East End Film Festival

After working on London Overground for almost exactly a year it was a special moment to see it fade up on the big screen at the Rio Cinema in the East End Film Festival on 2nd July. It was the first time I’d watched the film all the way through without changing it and tinkering in the edit.

I sat next to my 13-year old son in the 4th row and out of the 170+ people in the auditorium it was his reaction I was most attuned to. He fidgeted in the way you’d expect a teenager to but at the end he said, almost surprised, “I enjoyed that”.

Iain Sinclair & John Rogers

The Q&A with Iain Sinclair afterwards covered the basics of how the film evolved and then towards the end into the territory of discussing ‘the state of London’ and various responses to it. When I’m doing these events with Iain I always feel like I’ve got the best seat in the house to sit and listen to him talk – but with the added bonus that I get to contribute.

The film now takes on a life of its own – once screened it is liberated. There are more screenings planned for the autumn and winter as I start to turn my mind to future projects.