Last Sunday (10th), feeling ill and leggy, I set off for a walk across Wanstead Flats just before sunset for a wander through Wanstead Park.
The video includes extracts from the audiobook of This Other London.
Headed out for a short walk mid-Sunday afternoon and found this book in a charity shop in Wanstead – it immediately became apparent that I’d have to carry this heavy tome as some form of atonement for not embarking on a longer schlep earlier in the day.
My only aim was to head for the River Roding where it passes under the Eastern Avenue in Wanstead. It was unseasonably warm and I wanted to bask in the last two hours of sun.
My mind meandered in tune to the waters of the Roding, over bridges and past the pumping station. I remember startling a grass-snake along here a few years ago one hot summer morning.
I only recently discovered D. W. Gillingham’s wonderful Unto the Fields, by chance on a walk from Chigwell to Loughton. It was a glorious discovery, an entire book published in 1953 on the Roding Valley. A celebration from another era of a landscape I’ve come to love. The exploration of the territory in the book begins in November:
“Now I have chosen this November morning to introduce you to the fields because November is the beginning of Nature’s year, like the farmer’s at Michaelmas… The fieldfares especially were numerous today; their chattering could be heard everywhere, for the migration down the Roding valley was at its height. A few redwings had come to the valley before them.”
Gillingham delights in the fog and frost of November mornings. As the russet rays of sunshine pitch onto the banks of the Roding I feel the heat and remove my scarf. The pylons, our protectors, glow orange.
Passing beneath the titanic piers supporting the North Circular I feel the energy drain from my legs, my thighs become sore and heavy. I consider jumping on a bus at Charlie Brown’s Roundabout up to South Woodford station and heading home for tea. But I resolve to hike along the A1400 Woodford Avenue to Gants Hill instead. The National Trust Book of Long Walks needs to be at least partially appeased.
The pylon sky sunset glows as I continue along the Woodford Avenue and brings new life to my tired legs. The view of a Toby Carvery across the road also inspires me to pursue the walk – my sons and I had been discussing the prevalence of Toby Carveries in the area before I headed out for reasons I can’t recall. I sent them both the photo below.
At this stage I start to see the Beehive Harvester around every bend of the road and tell myself that I should settle down there and read the National Trust Book of Long Walks and make some notes of things that had passed through my mind on the walk – minor meditations that will be gone by the time I reach home. But before it appears I’m tempted to follow Redbridge Lane East to the roundabout by Redbridge Tube Station where I’m momentarily seduced by the Beefeater Red House. I vow to return, for now I have promised the book of Long Walks that I’ll complete the circuit by walking home.
There’s something epic and romantic about the A12 – the Eastern Highway out through Essex to Suffolk – carved across a landscape of broad skies. It’s America. It makes me imagine far off places well beyond Lowestoft.
Along Redbridge Lane West, lamp-posts illuminating leaves. Across George Green to pick up the old Roman marching route back through Leytonstone to home.
A Friday morning at the end of September and the chance to walk along the River Roding from Wanstead to Barking. Finally I hunted down the elusive Alders Brook near the City of London Cemetery. A dog walker who has been strolling this way for 30 years told me he’d never heard of it and I had to show it marked on my old A-Z. But there it was, overgrown and clogged up but still running free through the undergrowth.
The other side of the construction carnage around Ilford town centre I stood on the streets where the Iron Age settlement of Uphall Camp stood, near the banks of the Roding. Today lines of terraced houses named after periods of British History cover the site.
I passed the Quaker burial grounds at Barking before picking up the riverbank path down to the wharfside developments that have temporarily created tumbleweed wild west outposts. After breaching the A13 sadly it was time to head back to Leytonstone before I had reached Beckton which was the aim for the day. But I had surveyed more of the land the lies along one of our sacred Eastern rivers, and seen parts of the London of the distant past and got a glimpse of one of the new Londons taking shape.
“cause people round here are always cracking up, after which they go to Claybury Hospital”Lenny’s Documentary
This was in some way a reprise of a walk I did in March 2007 inspired by a line from Ian Bourn’s early video work Lenny’s Documentary set in Leytonstone, “cause people round here are always cracking up, after which they go to Claybury Hospital”.
Claybury Hospital was the fifth London County Asylum, designed by asylum architect George Thomas Hine, and opened in 1893. It was closed in 1995 and converted into a slightly eerie gated community of luxury flats popular with Reality TV stars and Premier League footballers. Claybury is also mentioned by Iain Sinclair in both Rodinsky’s Room (with Rachel Lichtenstein) and London Orbital in relation to the mysterious hermit of the Princelet Street Synagogue David Rodinsky, whose sister was a patient there.
The walk also took in the Merchant Seaman’s Orphange on Hermon Hill, founded in 1827, also converted into apartments. From there I dropped down, crossing the River Roding, past the Pet Cemetery and a Toby Carvery. The route then took a lop-sided slant through a nest of streets into the Crooked Hat Plantation, one of those curious pockets of ancient woodland, once part of the great Forest of Essex, cut off and stranded by urban sprawl.
The views from Claybury are superb, some of the finest in London. When I was here 10 years ago, sliding around in the mud, I spoke to a lady walking her dog who’d worked in the asylum as a nurse. Today it was hot and humid. A group of Secondary School kids were returning from a trip to the pond. I skirted the railings to get a good view of the iconic water tower before walking down a long road through the grounds of the private settlement. There was an eerie Stepford Wives vibe about the place – it spooked me, so I got out as fast as I could and jumped the tube back to Leytonstone.
I’d toyed around for a while with the idea of walking the Central Line Loop that cleaves off after Leytonstone and skirts the Roding Valley through Redbridge. Initially I’d spoken to some fellow travelers about some kind of Redbridge modernist architecture walk before we realized that many of the buildings were either the Central Line stations or close by.
So on a cloudy day during the Easter School Holidays when I was looking for an excursion the idea re-presented itself and off I went. From previously taking random journeys to stations on the loop I’d noticed the different character to the areas along the line once you left Wanstead and headed through Redbridge – from there through to Hainault had a post-war feel, more working class than the old West Essex ambiences of Snaresbrook, South Woodford, Buckhurst Hill, Epping. The Central Line Loop feels like a displaced satellite of the East End as opposed to say Loughton or Theydon Bois which clearly have Essex in their DNA. But that’s just my projection, although Hainault was mostly built but the GLC after the war and Barkingside became home to a large section of London’s East End Jewish population – so there is some substance to this ‘vibe’ emanating from the redbrick.
When undertaking a set expedition with a designated beginning and end I nearly always leave home too late to complete the walk in daylight. This gave the walks in This Other London an added jeopardy as there was often a location that I needed light to see properly and document. And so it was again – although it only takes 26 minutes to travel round the Loop by Tube I estimated it was roughly 11 miles and with detours and time for photos etc could take me around 4 hours to walk.
Although I pass them every day the Hitchcock mosaics took on added significance when putting them into the context of this yomp – they are one of Leytonstone’s very few recognizable attractions, its almost solitary tribute to its famous son Alfred Hitchcock, but other than that you’ll find little else. I’ve made the point before that when I’ve told Americans about my home suburb’s claim to fame and how little is made of it they are astonished – were ‘Hitch’ from just about anywhere in the States they tell me, you wouldn’t be able to walk more than 5 yards without ducking under animatronic Birds, every second window would sport Psycho silhouettes and there’d by jowl-faced masks and Hitchcock director’s chairs in just about every shop in the high street. The mosaics are beautiful though as is the mural on the building near the Jet garage that replaced the building on the High Road where he grew up.
The footbridge over the Eastern Avenue has great views of some of the terrain ahead, offering a vista across the Roding Valley, that river fast becoming my favourite of London’s watercourses (the submerged Fille Brook still has the edge but it’s neck and neck with the Lea).
Walking beside the A12 Eastern Avenue is brutal – a heavy metal assault upon body and soul, a full-frontal confrontation with autogeddon.
Sandwiched between the pollution caked houses at the roadside between Redbridge and Gants Hill I spot a tall red brick monolith radiating mystery. It’s just sat there between bow-windowed semis trying not to attract attention as if it must hide some secret project. I remark as much in the video I record. Just now I received a comment on the video on YouTube with a link to an excellent article on Ian Visits who researched the history of the building and another on Cambridge Avenue in Wanstead. During the Second World War this section of the Central Line was used as a secret munitions factory and the monolith was a goods lift and now functions as a ventilation shaft. Despite shedding its top secret status in 1945 it can’t leave behind the air of wartime secrecy like a spy who never came in from the cold.
By the time I reached Gants Hill the steady rain had hardened into hail stones that bounced off the paving slabs. Charles Holden’s tiled subterranean tunnels leading into and around the station beneath the roundabout provided shelter before I had to plough on in the storm. There is a strong similarity between the parades of shops at Gants Hill and the other Central Line station buried beneath a roundabout at Hanger Lane – its cousin out towards the western end of the Central Line – designed by a former employee of Holden’s studio.
I was wet and miserable by the time I took in the Ilford War Memorial Gardens and took shelter in another of the Loop’s architectural masterpieces – Newbury Park Bus Station which was honoured with a medal at the Festival of Britain in 1951. I pushed on regardless.
The bend of Oaks Lane was matched by a glorious rainbow rising behind Aldborough Hatch Farm, sunlight broke through the clouds. The A12 felt like a bad dream as I walked the country lane past barns and farm machinery – the walking gods rewarded my persistence through the rain and hail.
At Barkingside the Central Line hugs one side of Fairlop Waters Golf Course so I took the opportunity to stick with the green space. Bluebells nodding in the shade of the trees lining the fairway hiding stray golf balls.
I turned off the road past Ilford Wanderers Rugby Club coming out near Hainault Station. It was then into a grid of peddle-dashed streets where it is always Sunday. I rested in a bus shelter opposite open fields in the last of the light near Grange Hill Station.
The footpath running along Chigwell Cemetery looked like a good prospect on the map – a twilit holloway, but after 20 yards I was ankle deep in mud. The path skirted a farm field with a solitary tree on the brow of the hill, the purple sky invoking memories of the ends of childhood walks with my Dad.
I crossed the Central Line over a caged metal footbridge and into the Essex Golden Triangle bound for Chigwell and the last of the loop. That colourful moniker was foisted on the zone between Chigwell, Loughton and Buckhurst Hill in the 1980’s when the dominant cultural association was the popular sitcom Birds of Feather before TOWIE dragged the epicenter of Essex bling further East to Brentwood. The area worked its weirdness frying my navigational sense as I managed to turn back on myself and halfway to Hainault in the pitch black. It was a fortunate accident as I was presented with a spectacular view from a park on the edge of an estate looking Westwards across north London – the twinkling lights of the Lea Valley and beyond like the Los Angeles basin viewed from the Hollywood Hills.
The Chigwell mansions were inscrutable in the darkness save for the odd illuminated sweeping staircase. The station platform glowed sodium yellow from the bridge. It was apparent the walk was up. The route to Roding Valley wasn’t clear on the OS map – a truncated lane that could lead to an unmarked footpath but could equally become a dead end. The alternative was a huge detour by road that seemed to defeat the object of following the train line. One stop short (or two depending on whether you consider Woodford part of the Loop) seemed cruel, but sitting on the platform waiting 15 minutes for the next tube I thought of Bill Bryson quitting his 2000 mile Appalachian Trail thru-hike at the beginning of the last short leg in the 100-mile Wilderness. That blank portion of the OS map between Chigwell and Roding Valley was my 100-mile Wilderness.
The next morning I realized I had to go back and complete the walk – it should only take an hour I figured. Instead of returning to Chigwell by tube I walked from Hainault where the train terminated. The transition from Hainault’s postwar ‘Homes for Heroes’ to Chigwell’s ‘City Boy Bling Villas’ was more noticeable in daylight. Pensioners having a chat with the council workers mowing the grass verge gave way to locked gates and warnings that private security were on patrol. The same company seemed to be protecting all the houses in Chigwell and I noticed one of their vans slide past me as I took a photo of their sign embedded in a hedge.
Luxborough Lane crossed the brutal M11 – the road that broke the heart of Leytonstone. To walk out of London is to cross a series of arterial roads and motorways – the North Circular, the M11, the M25. London is encased in this halo of pollution that we live within. To finally break through this asphalt collar into open country is a liberating experience.
The lane was a classic edgeland landscape – water treatment works, waste disposal, some run-down old cottages forgotten by time and then the river Roding with the Central Line passing overhead on a majestic brick viaduct. This pattern is repeated all around the outskirts of London – motorway/A-Road, scrubland, public utilities, water, train tracks.
This point on the Roding has been the end and beginning of two previous walks along the river – my Huckleberry Finn riverbank. From here it’s across the Rugby pitch and up to Roding Valley Station – the station so slight and discrete it almost isn’t there. The last of the stations solely on the Central Line Loop – but not the end of the walk.
It’s a short distance to Woodford along a straight suburban street that would be nondescript if it weren’t for the fine views it afforded across the Roding Valley at every cross street and break between the houses.
It’s a sultry afternoon and I seemed to have been walking in the rain for the last couple of weeks so I decide to walk on home to Leytonstone turning the loop into a straight-sided ‘O’.
Although the character changes on this branch of the line it’s still marked with some modernist architectural gems – the Odeon Cinema at South Woodford and Hermitage Court near Snaresbrook. The tiling on the underpass beneath the North Circular Road not only matches that at Gants Hill but also out West at the Hanger Lane gyratory, some design features that knit the city together.
The old coaching inn – The Eagle is already filling up and a trickle of commuters are starting to dribble out of Snaresbrook Station. I pay homage to the High Stone marking the return to ‘Leyton-atte-Stone’ and slide back down through the passages beneath the Green Man Roundabout to a table at the Wetherspoons and a pint of pale ale from Leyton.
Looking at the lines of cars rammed bumper-to-bumper along the M11 Link Road, glued together by the tube strike, it’s a good day to strike out along one of London’s natural arteries – the glorious River Roding where the only congestion is caused by the dragon flies, herons, and song birds. I even spotted a grass snake slithering across the path into the long grass.
Hope is a place in Snaresbrook (with echoes of West Hollywood)
I came to admire the gothic revival architecture of the orphanage designed by Sir Gilbert Scott (he of the Albert Memorial and St Pancras Midland Hotel) and William Moffatt (1841). The other people in the grounds were beating a hasty path to the Snaresbrook Crown Court as witnesses, barristers, friends sucking anxious fags outside, “Yeah I know a bloke who got banged up for turning over the same place”
The Eagle Pond – formerly Snares Pond. This is a high ground of gravels – there’s water everywhere – you need good boots when walking through the forest here.
Is this a remnant of the Saye’s Brook / Sayers Brook that gives Snaresbrook its name, now reduced to a muddy ditch at parts and elsewhere running along a concrete culvert.
Apparently there were two streams running through Snaresbrook, across Wanstead and into the Roding – the Saye’s or Sayers Brook and the Holt. All around London these tiny tributaries have been buried, lost, ignored but they’ve stamped their names all over the A-Z – the Saye’s Brook has its named called out regularly on the 6 o’clock news, “Today at Snaresbrook Crown Court”.