A Summer Solstice Perambulation of the Prehistoric Mounds of London

The idea has been with me ever since I first picked up a copy of E.O. Gordon’s ‘Prehistoric London : its mounds and circles’ – to walk between the mounds on the summer solstice. In her criminally under-celebrated book Gordon describes how the mounds and circles of the British Isles are the remnants of a lost culture. No news there when looking at the solstice celebrations at Stonehenge (30,000 pagan celebrants this year), but London?

The only acknowledgement of the significance of these sites was a record of The Order of Bards, Ovates and Druids forsaking Stonehenge in favour of performing ceremonies at Tower Hill in March 1963.

I confess that resonance was added by the fact that at the time I lived yards away from Penton Mound at the top of Pentonville Road. But what vision of the city would be formed by perambulating between its founding sites – the great monuments that were at the centre of a thriving city long before the Romans rocked up.
Westminster/Tothill to Bryn Gwyn/The Tower of London to Penton/ New River Upper Reservoir to The Llandin/ Parliament Hill – a day to achieve it in.
In its original formulation this would have been a grand ritual unifying the city led by the nation’s Druids. In this inaugural event it maybe fitting that it is a family affair – just me and my sister.

I meet Cathy on Broad Sanctuary at 2.15pm after a detour to the Widescreen Centre to pick up a role of TriX black & white Super 8 film to attempt a film of the ritual – a 3 minute in camera edited film. We are delayed longer than planned at Westminster – get caught up with the small good natured demonstration on Parliament Square in support of the Iraqi people. We blow the cover of the supposed Heritage Wardens who confess to being GLA employees spying on the demo (there are barely double figures present). We move on over Westminster Bridge leaving the Royal Gorsedd and cut behind County Hall haunted by the spindly Wicker Man that they call The London Eye. Then its down Roupel Street, Union Street and into the quiet. We ponder upon the fetishisation of dereliction as we marvel at some beautiful crumbling relics – one a stone doorway with the word ‘OFFICE’ carved into the lintel adrift in an empty street. I realise that with my focus being on the film it cancels out words – my notebook virtually empty – the whole 2 hour wander to Tower Hill only inspiring a single note – ‘Great Maze Pond SE1’ which I take to fit in with the pagan theme of the derive (mazes being created in oak groves and markers of places of druidic ritual).
We spend little time at Tower Hill/ Bryn Gwyn – along with Westminster/ Tothill – as I feel an overwhelming urge to deny the desecration of the sites by the invaders – the so-called Parliament at the ancient place of congregation and communal law-making and the Prison on the site of the British people’s fortress where the severed head of Bendigeid Vran, first king of this island, is said to be buried. I record them on camera but we move on enjoying the calm City streets.

Into Barbican from Moorgate through the halls and out into Whitecross Street guided by Hawksmoor’s spire on St Luke’s. On Goswell I show Cathy the Mount Mills fortification and we follow the Cromwellian defences through Northampton Square and out to face Lubetkin’s Spa Green Estate. We skirt its perimeter and I then point out the Mount Zion Chapel – redolent of a riff in Gordon that links the British Mounds to their spiritual cousins in Palestine (a few years ago I emailed Mount Zion Chapel to enquire what had guided the location of their chapel – I received no reply).
Cathy leaves me at the Penton to complete the final leg alone. It’s 7.30pm and I should stop for a cuppa somewhere but Islington at that time on a Saturday is geared up for one thing only. Also as I push on along Penton Street I’m too awash in a sea of memories of my happy years spent living here.
The Penny Farthing has been given a confused make-over and is now a restaurant serving an odd combination of pizza and sushi – I suppose they don‘t attempt to trade in on the pub‘s heritage as the true home of cricket – the pavilion for the club that would become the MCC after they moved across town to Marleybone. Change takes on odd forms – a tattoo parlour has opened next to the corner shop that supplied me with cans of beer and emergency nappies.

Down Copenhagen Street and walks (and blog postings) past come back as do trips to playgroups and the wonderful library on Thornhill Square. I get second wind.
Turning the corner into York Way I shoot some of the old station posts that seemed to have survived the coming of the Eurostar. Then the vista of the day – the cleared scorched earth west of York Way – a train slowly moving across the land below three enormous silos – I consider running off the remainder of my film here – a Tarkovskian landscape worthy of its own 50ft of TriX.

Gordon relates York Way’s original name, Maiden Lane to its purpose of leading people to their places of congregation (Maiden Lane that runs through Covent Garden lines up with Parliament Square). I note the street name of a sorry backstreet behind a warehouse – Vale Royal – the last indicator of the rich mythology linked to this area from Boadicea’s last stand to the first Christian Church (in the world!).

I’ve now decided to keep going without a stop till I ascend the top of the Llandin – a continuous yomp from the south end of Tower Bridge. Up along Brecknock Road where the dark ridge of Highgate Woods marks the horizon. Down through Dartmouth Park and I’m there on Parliament Hill Fields. I must be hallucinating because I see a white robed Druid atop the hill – yes. I grab the camera and zoom in – not a Druid but the freshly painted white monument to right of free speech that exists here. I do a kind of stop-frame dance around the stone till the film runs out and the journey is over – 50 feet of film, 10 miles and 6 hours walking.

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George Carlin’s Seven Words


In tribute to comedy legend George Carlin who died today (comedians die a thousand times) I’m posting the entirity of his ‘Filthy Words’ routine that was broadcast on radio in the US in 1978 leading to his prosecution for obscenity. I found this in the appendix of the Court’s judgement – well worth a read. Without comedians such as George Carlin I may well not have a job so thanks for the cursing George.

The following is a verbatim transcript of “Filthy Words” prepared by the Federal Communications Commission.

Aruba-du, ruba-tu, ruba-tu. I was thinking about the curse words and the swear words, the cuss words and the words that you can’t say, that you’re not supposed to say all the time, [‘]cause words or people into words want to hear your words. Some guys like to record your words and sell them back to you if they can, (laughter) listen in on the telephone, write down what words you say. A guy who used to be in Washington knew that his phone was tapped, used to answer, Fuck Hoover, yes, go ahead. (laughter) Okay, I was thinking one night about the words you couldn’t say on the public, ah, airwaves, um, the ones you definitely wouldn’t say, ever, [‘]cause I heard a lady say bitch one night on television, and it was cool like she was talking about, you know, ah, well, the bitch is the first one to notice that in the litter Johnie right (murmur) Right. And, uh, bastard you can say, and hell and damn so I have to figure out which ones you couldn’t and ever and it came down to seven but the list is open to amendment, and in fact, has been changed, uh, by now, ha, a lot of people pointed things out to me, and I noticed some myself. The original seven words were, shit, piss, fuck, cunt, cocksucker, mother-fucker, and tits. Those are the ones that will curve your spine, grow hair on your hands and (laughter) maybe, even bring us, God help us, peace without honor (laughter) um, and a bourbon. (laughter) And now the first thing that we noticed was that word fuck was really repeated in there because the word motherfucker is a compound word and it’s another form of the word fuck. (laughter) You want to be a purist it [438 U.S. 726, 752] doesn’t really – it can’t be on the list of basic words. Also, cocksucker is a compound word and neither half of that is really dirty. The word – the half sucker that’s merely suggestive (laughter) and the word cock is a half-way dirty word, 50% dirty – dirty half the time, depending on what you mean by it. (laughter) Uh, remember when you first heard it, like in 6th grade, you used to giggle. And the cock crowed three times, heh (laughter) the cock – three times. It’s in the Bible, cock in the Bible. (laughter) And the first time you heard about a cock-fight, remember – What? Huh? naw. It ain’t that, are you stupid? man. (laughter, clapping) It’s chickens, you know, (laughter) Then you have the four letter words from the old Anglo-Saxon fame. Uh, shit and fuck. The word shit, uh, is an interesting kind of word in that the middle class has never really accepted it and approved it. They use it like, crazy but it’s not really okay. It’s still a rude, dirty, old kind of gushy word. (laughter) They don’t like that, but they say it, like, they say it like, a lady now in a middle-class home, you’ll hear most of the time she says it as an expletive, you know, it’s out of her mouth before she knows. She says, Oh shit oh shit, (laughter) oh shit. If she drops something, Oh, the shit hurt the broccoli. Shit. Thank you. (footsteps fading away) (papers ruffling)
Read it! (from audience)
Shit! (laughter) I won the Grammy, man, for the comedy album. Isn’t that groovy? (clapping, whistling) (murmur) That’s true. Thank you. Thank you man. Yeah. (murmur) (continuous clapping) Thank you man. Thank you. Thank you very much, man. Thank, no, (end of continuous clapping) for that and for the Grammy, man, [‘]cause (laughter) that’s based on people liking it man, yeh, that’s ah, that’s okay man. (laughter) Let’s let that go, man. I got my Grammy. I can let my hair hang down now, shit. (laughter) Ha! So! Now the word shit is okay for the man. At work you can say it like crazy. Mostly figuratively, Get that shit out of here, [438 U.S. 726, 753] will ya? I don’t want to see that shit anymore. I can’t cut that shit, buddy. I’ve had that shit up to here. I think you’re full of shit myself. (laughter) He don’t know shit from Shinola. (laughter) you know that? (laughter) Always wondered how the Shinola people felt about that (laughter) Hi, I’m the new man from Shinola. (laughter) Hi, how are ya? Nice to see ya. (laughter) How are ya? (laughter) Boy, I don’t know whether to shit or wind my watch. (laughter) Guess, I’ll shit on my watch. (laughter) Oh, the shit is going to hit de fan. (laughter) Built like a brick shit-house. (laughter) Up, he’s up shit’s creek. (laughter) He’s had it. (laughter) He hit me, I’m sorry. (laughter) Hot shit, holy shit, tough shit, eat shit, (laughter) shit-eating grin. Uh, whoever thought of that was ill. (murmur laughter) He had a shit-eating grin! He had a what? (laughter) Shit on a stick. (laughter) Shit in a handbag. I always like that. He ain’t worth shit in a handbag. (laughter) Shitty. He acted real shitty. (laughter) You know what I mean? (laughter) I got the money back, but a real shitty attitude. Heh, he had a shit-fit. (laughter) Wow! Shit-fit. Whew! Glad I wasn’t there. (murmur, laughter) All the animals – Bull shit, horse shit, cow shit, rat shit, bat shit. (laughter) First time I heard bat shit, I really came apart. A guy in Oklahoma, Boggs, said it, man. Aw! Bat shit. (laughter) Vera reminded me of that last night, ah (murmur). Snake shit, slicker than owl shit. (laughter) Get your shit together. Shit or get off the pot. (laughter) I got a shit-load full of them. (laughter) I got a shit-pot full, all right. Shit-head, shit-heel, shit in your heart, shit for brains, (laughter) shit-face, heh (laughter) I always try to think how that could have originated; the first guy that said that. Somebody got drunk and fell in some shit, you know. (laughter) Hey, I’m shit-face. (laughter) Shit-face, today. (laughter) Anyway, enough of that shit. (laughter) The big one, the word fuck that’s the one that hangs them up the most. [‘]Cause in a lot of cases that’s the very act that [438 U.S. 726, 754] hangs them up the most. So, it’s natural that the word would, uh, have the same effect. It’s a great word, fuck, nice word, easy word, cute word, kind of. Easy word to say. One syllable, short u. (laughter) Fuck. (Murmur) You know, it’s easy. Starts with a nice soft sound fuh ends with a kuh. Right? (laughter) A little something for everyone. Fuck (laughter) Good word. Kind of a proud word, too. Who are you? I am FUCK. (laughter) FUCK OF THE MOUNTAIN. (laughter) Tune in again next week to FUCK OF THE MOUNTAIN. (laughter) It’s an interesting word too, [‘]cause it’s got a double kind of a life – personality – dual, you know, whatever the right phrase is. It leads a double life, the word fuck. First of all, it means, sometimes, most of the time, fuck. What does it mean? It means to make love. Right? We’re going to make love, yeh, we’re going to fuck, yeh, we’re going to fuck, yeh, we’re going to make love. (laughter) we’re really going to fuck, yeh, we’re going to make love. Right? And it also means the beginning of life, it’s the act that begins life, so there’s the word hanging around with words like love, and life, and yet on the other hand, it’s also a word that we really use to hurt each other with, man. It’s a heavy. It’s one that you have toward the end of the argument. (laughter) Right? (laughter) You finally can’t make out. Oh, fuck you man. I said, fuck you. (laughter, murmur) Stupid fuck. (laughter) Fuck you and everybody that looks like you. (laughter) man. It would be nice to change the movies that we already have and substitute the word fuck for the word kill, wherever we could, and some of those movie cliches would change a little bit. Madfuckers still on the loose. Stop me before I fuck again. Fuck the ump, fuck the ump, fuck the ump, fuck the ump, fuck the ump. Easy on the clutch Bill, you’ll fuck that engine again. (laughter) The other shit one was, I don’t give a shit. Like it’s worth something, you know? (laughter) I don’t give a shit. Hey, well, I don’t take no shit, (laughter) you know what I mean? You know why I don’t take no shit? (laughter) [438 U.S. 726, 755] [‘]Cause I don’t give a shit. (laughter) If I give a shit, I would have to pack shit. (laughter) But I don’t pack no shit cause I don’t give a shit. (laughter) You wouldn’t shit me, would you? (laughter) That’s a joke when you’re a kid with a worm looking out the bird’s ass. You wouldn’t shit me, would you? (laughter) It’s an eight-year-old joke but a good one. (laughter) The additions to the list. I found three more words that had to be put on the list of words you could never say on television, and they were fart, turd and twat, those three. (laughter) Fart, we talked about, it’s harmless It’s like tits, it’s a cutie word, no problem. Turd, you can’t say but who wants to, you know? (laughter) The subject never comes up on the panel so I’m not worried about that one. Now the word twat is an interesting word. Twat! Yeh, right in the twat. (laughter) Twat is an interesting word because it’s the only one I know of, the only slang word applying to the, a part of the sexual anatomy that doesn’t have another meaning to it. Like, ah, snatch, box and pussy all have other meanings, man. Even in a Walt Disney movie, you can say, We’re going to snatch that pussy and put him in a box and bring him on the airplane. (murmur, laughter) Everybody loves it. The twat stands alone, man, as it should. And two-way words. Ah, ass is okay providing you’re riding into town on a religious feast day. (laughter) You can’t say, up your ass. (laughter) You can say, stuff it! (murmur) There are certain things you can say its weird but you can just come so close. Before I cut, I, uh, want to, ah, thank you for listening to my words, man, fellow, uh space travelers. Thank you man for tonight and thank you also. (clapping whistling)

FOOTNOTES
[ Footnote 1 ] 56 F. C. C. 2d, at 99. The Commission noted:
“Congress has specifically empowered the FCC to (1) revoke a station’s license (2) issue a cease and desist order, or (3) impose a monetary forfeiture for a violation of Section 1464, 47 U.S.C. [] 312 (a), 312 (b), 503 (b) (1) (E). The FCC can also (4) deny license renewal or (5) grant a short term renewal, 47 U.S.C. [] 307, 308.” Id., at 96 n. 3.
[ Footnote 2 ] “Broadcasting requires special treatment because of four important considerations: (1) children have access to radios and in many cases are unsupervised by parents; (2) radio receivers are in the home, a place where people’s privacy interest is entitled to extra deference, see Rowan v. Post Office Dept., 397 U.S. 728 (1970); (3) unconsenting adults may tune in a station without any warning that offensive language is being or will be broadcast; and (4) there is a scarcity of spectrum space, the use of which the government must therefore license in the public interest. Of special concern to the Commission as well as parents is the first point regarding the use of radio by children.” Id., at 97.
[ Footnote 3 ] Title 18 U.S.C. 1464 (1976 ed.) provides:
“Whoever utters any obscene, indecent, or profane language by means of radio communication shall be fined not more than $10,000 or imprisoned not more than two years, or both.”
[ Footnote 4 ] Section 303 (g) of the Communications Act of 1934, 48 Stat. 1082, as amended, as set forth in 47 U.S.C. 303 (g), in relevant part, provides:
“Except as otherwise provided in this chapter, the Commission from time to time, as public convenience, interest, or necessity requires, shall –

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Super8arama

I’ve fallen back in love with Super8 after doing a fantastic workshop at No.w.here lab a couple of Saturdays ago. The course was in Super8 camera techniques and development. I’ve become such a resolute DV user over the last 5 years or so – viewing the PD150 I use at work as the videographer’s AK47, and had also recently started to develop strong feelings towards the Sony A1E we recently acquired for vodcasting. But this workshop managed to take me back to the passions aroused during my first adventures in film. It’s rare these days to meet the true enthusiast turned expert but our tutor was that, translating a teenage passion into a profession. I’d bought my Canon 814 Auto Zoom straight after seeing Andrew Kotting’s film Gallivant at the Sydney Film Festival in 1997. I was beguiled by the scene where he posts the small yellow packets of film off to the lab to be developed – entrusting the bulk of his film to the postman. I took the Canon with me on a 6 week journey through India the next month and shot my first film (see 2 minute clip below – I realise that digitising and giving it a video edit is against the super 8 ethos). So eleven years later I was discovering what all those knobs and dials on the camera did – our group lusting over our cameras became like a Super8 festisher’s support group. We each shot 25 feet of film around Bethnal Green Road and Weaver’s Fields then took them back for the magical process of development as James talked us through the heating, applying, rinsing and fixing of the chemicals in the E6 process. Then the films were dried on a clothes airer before we set up the projector and watched the films – the results better than anything I’ve ever had from a lab. Since then I’ve been planning on building a darkroom at the back of my kitchen and have acquired a copy of the brilliantly geeky Small Format magazine. Super8arama!

Incidentally that is my sister in the picture with her Canon 514XL, who I gave a super8 camera to when she was at Chelsea College of Art and bought her a copy of Gallivant. She is now studying Film at Maidstone College with Andrew Kotting.

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Steve Harris – Leytonstone

Just doing some research into famous people who grew up on council estates and stumbled upon the fact that Iron Maiden founder and principle songwriter, Steve Harris was born and raised in Leytonstone. A nice extra dimension to my original housing angle is that in addition for playing for the West Ham youth team he studied as an architectural draughtsman. Having said that, I haven’t been able to establish whether he did in fact grow up on a council estate or not (if anyone knows I’d be very grateful – it was our invaluable friend Google who made the initial connection) making this lovely piece of local trivia potentially irrelevant to my overall project.