Back in August 2024 I collaborated with Compiler and sound artist Brigitte Hart on a walk along Leytonstone’s buried river Philley Brook (Fillebrook, Filly Brook) as part of their project Beneath Our Footsteps where local people engaged with the idea of the river. The walk and the project were a fascinating project and a great new way to highlight the presence of our lost river. An exhibition over four days took place at No.1 Church Lane Leytonstone that brought together some of the work generated by the project.
Text by Brigitte HartSound work by Brigitte Hart containing recordings of the Philley BrookFound objects near the Leytonstone source of the Philley BrookNear the Leytonstone source of the Philley BrookPrivate view Saturday 8th February 2025
Episode 3 of Pub Chat finds me having a pint at the brilliant Filly Brook, Leytonstone. This is obviously my favourite ‘pub’ name in the world (Filly Brook isn’t strictly a pub, more of a tap room) being named after Leytonstone’s lost river that gurgles beneath the street just yards away. In fact, Weston’s map of the Philley Brook / Filly Brook from this very blog is framed on the wall inside. The beer’s great as well. On this occasion I was supping a collaboration between Filly Brook and Pretty Decent Beer Co., Connections Pale Ale, in celebration of the month-long cultural festival hosted by Filly Brook with £1 from every pint being donated to charity.
Here’s the next instalment of my ad-hoc series of pub chats at the end of a walk. This time I’m talking about walks in Roman London – once again in the brilliant Red Lion Leytonstone supping a pint of East London Brewery Bow Creek.
See me in conversation with Travis Elborough at the Bookseller Crow in Crystal Palace 28th March 2024 – tickets here.
I’m delighted to announce that my new book, Welcome to New London – journeys and encounters in the post-Olympic city is being launched at the brilliant Wanstead Tap on 10th & 11th October. Tickets can be purchased here and books will be available on the night.
Book synopsis
Iain Sinclair has described Welcome to New London as, “An invaluable and informed super-tour by the Cobbett of YouTube. As immediately readable and engrossing as a Rogers film.”
After the 2012 Olympics London once again entered a period of radical change, one that some people came to see as a battle for the very soul of one of the greatest cities in the world. John Rogers embarked on a series of journeys and encounters in a quest to understand what was going on.
In ‘Welcome to New London’ John Rogers invites us to join him on a captivating voyage through the ever-changing landscapes and communities of this iconic city. As a follow-up to ‘This Other London,’ ‘Welcome to New London’ continues Rogers’ exploration of the city from a unique perspective.
The story begins in 2013 as the Olympic village in Stratford transitioned to become a new permanent settlement, and the Stratford City plan became a reality. This excursion sparks an exploration of the Olympic Park and its surrounding areas, where a wave of development is reshaping the Lower Lea Valley.
The narrative seamlessly weaves through various facets of London’s transformation, from the Focus E15 Mothers’ occupation of homes on Carpenters Estate, a poignant symbol of the housing crisis, to the global attention garnered by campaigns like Save Soho and Save Tin Pan Alley. The book also chronicles the author’s involvement in efforts to help residents of the Sweets Way Estate and other housing campaigns, offering readers an intimate look at the human stories behind London’s changing landscape.
Intriguingly, the Rogers delves into the city’s ancient history following a chance conversation with a Pearly Punk King on the rooftop of the old Foyles building. This encounter takes him through Epping Forest to the prehistory of London in the Upper Lea Valley, unearthing Bronze Age burial mounds and their significance in understanding London’s historical roots and its enduring connection to its past.
Rogers embarks on a series of walks with acclaimed writer Iain Sinclair, providing a thought-provoking commentary on London’s future. And then somehow the United Nations sent him to Peckham to explore the concept of the ‘Open City,’ tying together the book’s themes and returning to the Olympic Park as a focal point.
“Welcome to New London” is not just a book about a city; it’s a vivid, personal account of a city in flux, where the author’s passion for exploration and his commitment to bearing witness to change converge. With its richly detailed chapters and thought-provoking commentary, this book is a must-read for anyone seeking to understand the dynamic and ever-evolving nature of one of the world’s greatest cities.
Please contact me via the contact form above for further info, events, interviews and any other enquiries.
There’s an excellent blog on the New Left Review website by David Anderson about the films of Leytonstone artist John Smith and the M11 Link Road protests of the early 90s.
“The Link Road protest nevertheless attracted a broad church of supporters, engaging them in a project that, as the Aufheben group put it, aimed not just to stop ‘this one road’ but to create ‘a climate of autonomy, disobedience and resistance’. This included not only local residents and veterans of other road protests, but also a substantial number of artists living in and around Claremont Road. Their presence contributed to a year-long ‘festival’. Throughout 1994, the street was blocked to cars and turned into a public outdoor living room, just as protesters were busy burrowing underneath the houses’ actual living rooms, constructing a fortress that would be difficult for police and bailiffs to dismantle …
The result was, according to McCreery, a space with ‘no formal social organization’ in which ‘every moment of every day amounted to a political act’. Even if he doubts how much ‘radical French theory’ the protesters were actually reading, their activities ‘probably amounted to the most complete expression of situationist techniques ever seen in Britain’.”
Great night on Wednesday as Leytonstone Pop-Up Cinema returned with a screening of What Have You Done Today Mervyn Day? at the wonderful Good Shepherd Studios. Paul Kelly’s brilliant film was in the first programme that I put together for a film night at the Leytonstone Festival in 2007 at the Heathcote Arms alongside shorts by Ian Bourn and John Smith. This led to the launch of Leytonstone Film Club in 2008 (name changed to Leytonstone Pop-Up Cinema). Wednesday’s screening was the first of a regular programme of films at Good Shepherd Studios.
photo by Jake Green
It was a reminder of just how important a film Mervyn Day actually is. Shot in the Lower Lea Valley around Stratford, Bow, Hackney Wick and Canning Town in the summer of 2005, and set on the day the successful bid for the London Olympics was made, it captures a crucial moment in time in the history of London. I attended a screening at the Barbican when we first moved to Leytonstone in 2006 and wrote about the landscape of the film when I went in search of locations.
photo by Jake Greenphoto by Timothy Fox
In the Q&A with Director Paul Kelly, we discussed his collaboration with the pop band St Etienne on this and other films and how they came to make a film about a part of London where few people outside the area ventured. I also asked Paul what the narrative of the film would have been had the Olympic bid been unsuccessful. That’s an interesting alternative history of London.
Paul Kelly and John Rogers – photo by Jake Green
After a break of a few months, it was great to be back with Leytonstone Pop-Up Cinema. Thanks so much to Jake Green for giving us a new home at Good Shepherd and it was wonderful to see Stow Film Lounge running the projection. Also thanks to Jake for these fantastic photos.
What this space for the date of our next screening in May.
