It was just over a year ago that I visited Denmark Street with Tim Arnold of the Save Soho campaign. Tim was giving me a tour of venues under threat and those that still give live music a home in the West End. We decided to start outside the 12 Bar Club in Denmark Street – a venue Tim had played many times. As I started filming we noticed crates and boxes leaving the building in a steady stream – the 12 Bar Club had hosted its final gig in Tin Pan Alley, forced out by the Crossrail sponsored destruction of this corner of Central London.
When I met Henry Scott-Irvine of the Save Denmark Street campaign outside the boarded up venue last month, news had just filtered through that the 12 Bar had just closed its doors again at its new home on Holloway Road. As Henry put it – music needs a hub, Denmark Street/ Tin Pan Alley was the beating heart of London’s live music community and when that heart is damaged you can’t expect things to survive out along the arteries (I’m paraphrasing but Henry explains it more eloquently in the video above).
Superficially for now Denmark Street retains the guitar shops and a couple of venues. This is undoubtedly a good thing, particularly when you consider the way that the iconic Astoria was brutally erased from the map with a few swings of a wrecking ball (I couldn’t think of a Miley Cyrus gag there but insert your own).
Andre in Hanks Guitar Shop was upbeat about the situation – thinking that the surrounding developments could bring new trade to the street and lead to a revival of the shops and venues. Although he did sound a note of caution that the developers – who are also the landlords – needed to keep the rents at realistic levels for the traders in Tin Pan Alley. The various music industry offices occupying the upper floors of this historic 17th Century street have already been forced out – gone are the music publishers and agents who brought the music to Denmark Street in the early 20th Century – who invented the music press and the pop charts, then the pop stars and punk rock.
Good news arrived this week that the house where the Sex Pistols lived and daubed graffiti on the walls has been given a Grade II listing. Finally official heritage recognition for at least one chapter of this richly storied thoroughfare. Henry would like to see the London Borough of Camden give it the same protected status for music that Hatton Garden has for its jewelry trade.
Without dogged campaigning the developers could already have destroyed this vital part of London’s heritage – thankfully people such as Henry and Andre are keeping the music alive in Denmark Street and long may Tin Pan Alley rock on.