Vincent Van Gogh in Brixton – with Iain Sinclair

“I enjoy the walk from home to the office and in the evening from the office back home. It takes about three-quarters of an hour.”

– Vincent Van Gogh, 30th April 1874

A chilly December day and an invitation from Iain Sinclair to look inside the Brixton residence of Vincent Van Gogh, where the Dutch artist lived for a year between 1873 – 1874. The plan is to then follow Van Gogh’s footsteps on the daily walk he took to work at a commercial gallery in Covent Garden. Iain had recently been commissioned by Tate Etc. magazine to write an article on Van Gogh as a walker to coincide with the Van Gogh and Britain exhibition at Tate Britain that runs until 11th August.

“So I began, unpremeditated, a series of walks through those odd, unreal, summer days while I attempted to connect Van Gogh’s English addresses. Surviving houses and chapels, in the end, feel less significant than the movement between them, when weather and light and random encounters effect an interweaving in the strands of time.”

– Iain Sinclair, Tate Etc. Issue 45

Van Gogh Ramsgate

Van Gogh sketch of Ramsgate

Van Gogh didn’t start producing art until he left London, aside from occasional sketches in the margins of letters he sent to his brother Theo. But he did spend a lot of his time in Britain walking, not only in London but also when he worked in a school in Ramsgate.

“Always continue walking a lot and loving nature, for that’s the real way to learn to understand art better and better. Painters understand nature and love it, and teach us to see.”
– Vincent Van Gogh, January 1874

Van Gogh House

Van Gogh House, 87 Hackford Road

Our journey starts though, at the San Mei Gallery nearby in Stockwell, the owners of which have recently purchased the property at 87 Hackford Road and are in the middle of a grand restoration project. Livia Wang told us about their plans for the Van Gough House, to host international artist residencies, tours and workshops aimed at the local community, and a studio space. I remembered the production of Nicholas Wright’s play, Vincent in Brixton that I’d seen multiple times while working at the National Theatre in 2002. Nicholas Hytner’s magical production brought that Hackford Road home vividly to life, featuring a debut performance by a young Emily Blunt playing the landlady’s daughter, Eugenie Loyer, with whom the Dutchman fell hopelessly and unrequitedly in love.

“My dear Theo,

I now have a room, as I’ve long been wishing, without sloping beams and without blue wallpaper with a green border. It’s a very diverting household where I am now, in which they run a school for little boys.”
– Vincent Van Gogh, 30th April 1874

Vincent in Brixton

flier for the event I produced and hosted at Brixton Art Gallery, 2002

Iain leads the way from the house in Hackford Road up Van Gogh Walk and onto Clapham Road. He notes the speed at which Van Gogh must have walked in order to do the journey in 45 minutes. We proceed along Clapham Road, past Kennington Park and the Old Town Hall down Kennington Road to Lambeth North, Victorian Van Gogh era houses lining the route. We cross Westminster Bridge, a point in his commute that the painter in embryo noted in his letters, the light over the Thames.

Van Gogh Walk Cutdown 1.00_10_22_15.Still013

Lambeth Walk

Van Gogh Walk Cutdown 1.00_12_44_03.Still015
We then proceed along Whitehall to the National Gallery and Iain can’t resist going into the gift shop to buy a postcard of Van Gogh’s Sunflowers, another piece of the painter still in London. The final leg of the journey takes us along the Strand and then ascend Southampton Street where there’s no trace of the gallery where Vincent worked selling prints to affluent Londoners.

 

You can book guided tours of the Van Gogh House here

The Van Gogh and Britain exhibition at Tate runs until 11th August 2019

 

The Possibility of Life’s Survival on the Planet by Patrick Keiller

Patrick Keiller book

I found this copy of Patrick Keiller’s The Possibility of Life’s Survival on the Planet next to a nice edition of The Illustrated Pepys in a charity shop on Saturday – a placement that surely can’t have been accidental. Needless to say I bought them both.

The opening page reads:

“In August 2010, I completed a film that begins with a series of captions: ‘A few years ago, while dismantling a derelict caravan in the corner of a field, a recycling worker found a box containing 19 film cans and a notebook./ Researchers have arranged some of this material as a film, narrated by their institution’s co-founder, with the title / Robinson in Ruins. / The wandering it describes began on 22 January 2008.”

The film cans belonged to Robinson – Keiller’s unseen character in his first two feature length films, London and Robinson in Space. The film mentioned above was Robinson in Ruins, which I have mentioned on this blog before.

The Possibility of Life’s Survival on the Planet was published to accompany an exhibition at the Tate that followed on from the film and allowed Patrick Keiller to ‘arrange the material in other ways’, that included items from the Tate collection. The resulting installation was called The Robinson Institute.

Keiller’s films are multi-layered, dense with research that deserves repeated viewings to fully digest. They are not only essay films but essays equally suited to book form as well as the screen. Robinson in Space for example draws heavily on the government’s Port Statistics. London follows multiple literary references. And likewise, Robinson in Ruins was part of an academic research project called The Future of the Landscape and the Moving Image, which was “prompted by ‘a perceived discrepancy between, on the one hand the critical and cultural attention devoted to experience of mobility and displacement and, on the other, a tendency to fall back on formulations of dwelling derived from a more settled, agricultural past.”

Having watched Robinson in Ruins a number of times, I can say this book is a brilliant addition to the Keiller canon, to sit alongside his 2014 book of essays, The View from the Train. We wait now in anticipation of his next film.