“The source of a river, a tear duct of the earth.
The source of a river is always a matter of particular fascination. Its very mention brings out the explorer in all of us.”
Roger Deakin, Notes from Walnut Tree Farm p.68
I first did a version of this walk along the Walbrook back in November 2011, but was keen to return starting nearer to one of the supposed sources and also visit the recently opened London Mithraeum that sits upon the banks for this ancient stream. The route I followed in early December, drew from two principle sources – Nicholas Barton’s classic book, The Lost Rivers of London, and a sketch map of London Under Henry II by Marjourie B. Honeybourne from Norman London – An Essay by Professor F.M Stenton (pub. 1934). Stenton’s essay and the map is informed by a contemporary Norman description of London by William Fitz Stephen.
The route starts at St. Leonard’s Church Shoreditch, and goes past the Shoreditch Holy Well in Bateman’s Row. From here it follows the course of the river down Curtain Road to Blomfield Street where it was partially excavated during Crossrail works. Then we cross London Wall and go through Angel Court where another part of the river was uncovered in the 1970’s. We go behind the Bank of England at Lothbury then follow the buried river down Walbrook to the Temple of Mithras. From here we go down Dowgate Hill to where the Walbrook makes it’s confluence with the Thames near Canon Street Station.
Click here to see my video of another walk along one of the ‘Lost rivers of London’ – the Tyburn
I’d previously noticed the River Stort Navigation on the OS map snaking around the northern fringe of Harlow. Comments on my YouTube videos had suggested sections that I would enjoy walking. So one day in the Easter holiday I set off on the Lea Bridge Line (celebrating its first anniversary since re-opening) to Broxbourne to see whether I could make it all the way to Bishop’s Stortford.
The Stort Navigation runs from Feildes Weir, just to the south of Rye House, 14 miles to the Hertfordshire town of Bishops Stortford. It was completed in 1769, with the intention of linking Bishops Stortford with the lucrative malt trade working its way along the Lea from Ware. The 15 Locks that break up its course became waypoints for my walk that day, when we were blessed with early sunshine that only just now seems to have returned at the end of May.
The appeal of river and canal walks is not only the proximity of water but the removal of decision making and navigation – the canal engineers have done the job for you. The downside is maintaining the discipline to stick to the path resisting temptations to wander off along beguiling side routes.
I was drawn into Parndon Mill on the edge of Harlow by a poster for an exhibition by Graham Boyd – The New Hampshire Grids – from the early 1970’s. I saw potential parallels with my own walking practice in that title, especially when on a constrained hike following a pre-ordained route carved out of the landscape by 18th Century navvies.
The gallery space occupied a small white cube on the ground floor of the old Mill (this version built in 1900 following a devastating fire but mills have occupied the site since at least the Norman Conquest). The framed pictures and 3-dimension works sat on a plinth seemed to be presenting an intrincate code. I bought an exhibition catalogue and went to sit on a bench by the towpath. The last sentence in Maxine E. King’s intrductory essay reads;
“This is the character of Boyd’s work, a restless searching, stretching out through an immense space, sometimes taking up the grid to orientate himself, like a sextant for navigating the stars.”
I contemplated this over a late lunch of Chicken Club Sub washed down with a pint of San Miguel in the garden of the Moorhen pub near Harlow. They had Minnions toys behind the bar and a kids softplay inside the pub – I’ve never seen that before.
Pushing on into the sunset leaving behind Harlow’s riverside sculptures I finally allowed myself a detour, through Sawbridgeworth, an ancient village once owned by an Anglo-Saxon brilliantly named Angmar the Staller. I think we should restore the Anglo-Saxon naming system. The village is like a period film set – a collection of Tudor to Georgian buildings spanning out from a 13th Century Church. After a look around I refueled at the newsagents for the final push into Bishops Stortford.
Tednambury Lock 4
A wise man, Tim Bradford, once told me the pub trade is run on people forever trying to recreate that glorious first sip of beer, with each successive pint becoming increasingly less satisfying until you’re pissed. I sometimes think a similar dynamic applies to walking – I’m forever in search of that euphoric final stage of a schlepp, bathed in sunset crossing a field or rounding the bend of a river, cresting a hill, traipsing through an industrial estate, the rump of the city behind you, awash in the experience of the fugue. Counting down those last few Locks in the last burst of Spring sunshine on the approach to Bishops Stortford were one of the finest walk’s ends I’ve ever known – one I’ll be chasing for the rest of the summer.
This simple but beautiful and important image shows the principal rivers of London with their (unlabelled) tributaries. From the Colne in the West to the Ingrebourne in the East – the Wandle trundling in from the South to the Turkey Brook high up on the Northern escarpment.
Odd that they haven’t labelled the Darent and the Cray in the South East.
It was hard to believe that it had been over 7 months since my last stroll along the River Roding, when I had left this beguiling watercourse at Roding Valley after walking up from Redbridge Station one warm July morning.
I decided to pick up where I’d left off and found the river bank where I’d sat down and felt like Huckleberry Finn. Where lush green undergrowth burst from the bank today was muddy brown and spindly bare. It was a beautiful clear late February day, great walking weather.
It’s crazy in a way that I’m walking this short river in sections given that it runs a mere 11 miles from Dunmow in Essex before spilling into the Thames at Barking Creek, but there it is, and I shall now endeavour to divide my walks along its course across the 4 seasons. This particular river ramble involved two significant diversions, one through the backstreets of Buckhurst Hill and another through an industrial estate at Debden. It was a detour that led to an interesting encounter at one of Britain’s most sensitive buildings – but you’ll need to watch the video above to get that story.
The day before I headed into Rendlesham Forest on the UFO trail we took a family walk along the River Deben at Woodbridge aiming for the site of the famous Anglo-Saxon ship burial at Sutton Hoo.
The wind was so intense half the family bailed before we reached Wilford Bridge, but nothing was going to stop my youngest son completing a journey we’d been planning for years.
Wycombe on a wet half-term Monday. I’m here for a lunchtime concert at All Saints Church of music by poet and composer Ivor Gurney by Jacobine van Laar and Marisa Thornton Wood. I’ve been mildly obsessed with Gurney since I discovered his connection with the town during the Remapping High Wycombe project – not just that this fascinating overlooked cultural figure had lived and written some of his most haunting compositions in Wycombe either side of the First World War, but that he was inspired by his long walks, manic fugues from London to Gloucester and the walk I plan to recreate from Wycombe to Gloucester which he did over two days in late February 1920. I’d tentatively planned to carry out the walk on the anniversary but lack of planning and my inability to cover the 60-odd miles in two short February days meant postponing till summer.
I killed some time wandering familiar childhood streets, devastated by the building of the Eden Shopping Centre – a place that must win the award for most misnamed location ever, perhaps they were playing opposites day in the planning office. We’d feared this when doing our project in response to the redevelopment over 2004-05 but to see it first-hand was depressing. The once thriving High Street dead, Poundland, Iceland, charity shops. The Octagon Centre – the town’s original shopping mall now relegated to the back door of the new scheme with empty units and a few bedraggled shoppers sheltering from the rain. White Hart Street shops boarded up, vacant, the same pattern creeping like a weeping rash round Oxford Street to Frogmore. The Kebab Centre has somehow survived the retail blitz but little else. The guts totally ripped out the town by a covered mall with a particularly big Marks and Spencer, a muffin shop and bowling alley.
In the new Waterstones I picked up a copy of a book I’d seen reviewed a while back and placed on my To Read list purely on the basis that it was the story of a man’s relationship with a stream somewhere in England. At the cashdesk I opened the cover to find that the subject of Charles Rangeley-Wilson’s Silt Road wasn’t just any stream anywhere but the river that ran through Wycombe (pretty much under the Waterstones in fact) and along the valley floor through the village where I grew up – the sacred River Wye that gave its name to the town and the road where I spent my formative years. The river that drove the mills along its course from West Wycombe to Bourne End. Near its banks was a holy well, a site of pilgrimage. Romans seeded oyster beds in its clear spring waters. I used to paddle in it as a kid and we rode inner-tubes over the weirs by the viaduct. I’ve played Poo Sticks with my children from the bridges that cross the river where it skirts the perimeter of Wooburn Park.
After Jacobine and Marisa’s haunting Gurney recital I set out along the stream in the driving rain. I’d left home in my trainers for some reason, well my boots were still caked in mud from my schlep across Gilbert’s Slade the day before and I didn’t want to wear muddy boots to the recital. Pretty soon my trainers were soaked through and several balletic slides in the mire crossing the Rye coated my feet in thick mud.
The rain would ease up, I was sure. I’d been sent Silt Road as a gift from the book genie and a message to make this pilgrimage. By the time I reached Kingsmead the rain was coming down in thick watery rods smashing me across the head and shoulders. I remembered my Nan’s saying that Dad had told me on the phone just the other day, ‘February fills the ditch, black or white I don’t care which’. My Nan would have been chuffed to bits – the ditch was full to the brim.
I skated across the swamp-like rugby pitches heading for shelter on the far side only to get there and discover it had been built by someone with an odd sense of humour – the sunken floor filling up with rainwater like a fish pond.
It couldn’t be any grimmer or greyer as I approached the viaduct at Loudwater – unrelenting hometime traffic kicking up plumes of water. I started to regret embarking on this river walk – it’s not as if I haven’t done it hundreds of times before. I pass into Wooburn, past the street where I grew up – Wye Road. A number 37 bus pulls up at the bus stop bound for Wycombe and the train back to London – too much to resist.
On the turbo powered train into Marylebone I open Silt Road. What on earth compelled this award-winning nature writer to pen an entire book about a short stream running through an industrialized valley on the outskirts of High Wycombe?
The book opens under the grey M40 viaduct at Loudwater with a two-page monochrome photo, “Standing under the motorway along which the cars and trucks drummed and rushed and from which the rain spilt in a streaking line, I felt a fascinated longing for this imprisoned stream. And now I feel this stream running through me.”